And
our Mad Mammoth Monkey Marathon
officially spins out of control with the
hilarious second appearance of Toho
Studio's own Mammoth Monkey in King
Kong Escapes.
(The
first appearance, of course, being the
title bout in King
Kong vs. Godzilla.)
Here, our strange pipe-dream of
big-headed monkeys with tiny little legs,
pulsating lights, and kinky spy
shenanigans kicks off underwater with the
crew of the UN Submarine Explorer,
under
the command of Commander Carl Nelson (Rhodes
Reason), as it searches for new oil deposits.
Inside, Susan Watson (Linda
Miller -- who looks darned cute in that
majorette outfit cum-uniform), the
ship's chief medical officer, finds the
Commander in
his quarters, chatting with Lt. Hiro Nomura
(Akira Takarada -- a veteran of
many Kaiju epics), studying some
pictures of gorillas. Her interest
piqued, the men tell her that
this particular gorilla is over 60ft.
tall. Now really intrigued, when Nelson
asks if she's ever heard of Kong, Susan
nods; she has
heard the tales of the legendary ape but
thought it was just a myth. Showing her
photos of a giant stone stairway that lead
up to a large cave on nearby Mondo Island,
where the creature allegedly lives, Nelson
then reveals that he's spent his entire
life studying the creature, and is more
than a little disappointed that they're so
close to Mondo but can’t stop to take a
look. (I
guess the UN frowns on going off mission
for personal reasons, especially to look
for alleged giant monkeys.)
We
then crash-bang-zoom-cut to the North Pole
where dirty work is afoot at the secret
base of the mad mechanical genius, Dr. Who
(Eisei
Amamoto). Now, we realize he’s a
crazed genius because the centerpiece of
his operation is a giant robot version of
Kong. Bragging up his
creation to the mysterious Madame X (Mia
Hama), the secret-agent/super-spy
of some unknown government, who is funding
the Doctor’s operation, she is more
interested in the promised robot's
end-results. Seems the base is near a
large deposit of Element X, which makes
uranium look like plain old gravel, and
whatever government controls Element X,
will control the world. To accomplish
this, the mad doctor
designed his Mechani-Kong from notes he
stole from Nelson, and plans to use the
robot to dig out the radioactive
substance. (Geez.
You’d think there’d be an easier way,
but remember, he’s a demented evil
genius after all, so just humor him.)
As
Spy-Girl warns that he had better succeed
this time -- or else! -- Dr. Who activates
the robot and offers Ms. X a front row
seat to watch the action. When the robot
comes to life, it immediately heads
outside the hangar and onto the frozen
landscape. (Who
seems to be sending the control signals by
banging on the same organ key again and
again and again…) Approaching a
large crevice, the robot starts detaching
grenades from his chest and dropping them
into the hole. (Extreme strip
mining!) And
after several detonations, Mechani-Kong
banzai dives into the hole. Then, after
several more grenade tosses, a large
glowing mass of Element X appears. An
excited Who orders the robot to dig it up,
but suddenly, the robot sputters out and
collapses -- the massive radiation from
the large deposit has shorted out his
circuits. (Of
course, Who blames his hired help.) Promising
Ms. X that the robot can be rebuilt with
better shielding, Who is told it’s too
late, and with this latest display of incompetence,
she's ready to withdraw her nation's
financial support. Who quickly counters,
saying that without financing, he can’t
fix the robot -- but he's sure he can find
someone else to fund the project
and then he can give them the
precious metal. Reluctantly, she relents
but only agrees to give Who just thirty
more days before permanently pulling the
plug.
Back
in the sub, when a convenient underwater
rockslide damages the rudder,
necessitating an emergency stop for
repairs, Nelson
takes the opportunity to explore Mondo
Island. Taking Namura and Susan with him
in a nifty hovercraft, they soon land on
the beach and drive inland where the group
disembarks and begins to look for any
signs of Kong. The first sign comes when
they find a lone, loony islander who
accuses them of trespassing, and who also
warns them to get off quick or face the
wrath of King Kong. Nelson wants to
question the squirrelly bugger further,
but he quickly disappears. Then, leaving
Susan by the car "where it’s
safe" (uh-oh),
the men head up into the hills to find the
old coot -- but the men
barely reach the top before a
Tyrannosaurus Rex bursts through the
jungle foliage below. (The
beast has come to be known as Gorosauraus
and it’s one of the better Kaiju suits
Toho ever created.) Susan screams
when the beast spots her and closes in for
a little snack. The men hear her and
hustle back down, but they weren't the
only ones who
heard her... In a nearby cave, a set of
papier-mâché eyes blink open and the
camera zooms out to reveal our titular
hero, King Kong, who leaves his lair to
investigate the commotion. Arriving on
scene with a patented war hoop, Kong
thumps his chest in a challenge to the
dinosaur.
Here,
we get our first full body shot of Kong
and we are struck by the strangely odd
body proportions of the animal. And if
the huge head, broad shoulders, and
really long arms perched on those tiny
little legs doesn’t bring a smile to
your face, then check your pulse 'cuz
you may be dead.
The
dinosaur backs off a little, allowing Kong
to scoop Susan up. Immediately fascinated
with her (--
the big ape always had a thing for
blondes), Kong decides to keep and
play with her awhile -- but first, he’s
gotta take care of the old T-Rex first.
Placing her in a nearby tree, he roars
into battle. And it's a pretty good Kaiju
rumble, too, as the saurian has the upper
hand at first, using a kangaroo kick to
keep the great ape at bay. But Kong
finally gets close enough and ferociously
pummels the monster into submission. When
Kong moves to retrieve his prize from the
tree, Nomura
raises his rifle to shoot but Nelson stops
him. Cradled in the monkey's paw, Susan
pleads with Kong to put her down, and to
everyone’s amazement, he obeys her.
Unfortunately, it turns out the T-Rex
wasn’t quite dead yet and clamps onto
Kong’s leg. Roaring in pain, the ape
starts pummeling the lizard again,
allowing Nelson and Namura to retrieve
Susan and head back to the hovercraft.
Meanwhile, Kong finishes off the dinosaur
by breaking its lower jaw -- just
like old granddad back on Kong Island.
The
incident also proposes that dinosaurs
were filled with Scrubbing Bubbles,
sending paleontologist scrambling back
to recheck the fossil records.
Kong
pursues the hovercraft to the beach,
that's already out on the water, but the craft
barely makes it halfway to the sub
before Nomura spots another
monster, a sea serpent, racing right
toward them! But Kong sees it, too, and sends
a rock missile that gongs the serpent
right on the head. (Again,
if you’re not laughing at this display
of marksmanship, call 911 right away.) Wading
out into the surf, Kong intercepts the
serpent, allowing the others to safely
reach the sub. After quickly dispatching the smaller beast,
Kong comes
after them -- and the sub can’t get away
because the repairs aren’t quite done
yet! Seizing the sub, Kong curiously shakes the
craft but doesn’t tear it apart.
Believing he means them no real harm,
Nelson allows a volunteering Susan to go
out on deck to try and calm the ape down
until the repairs can be finished.
Happy
to see her, Kong scoops Susan up to take
her back home. But
using the old tried and true If they
can’t understand what you’re saying,
say it again, only slower and LOUDER, the
girl tries to get the point across that
she can't go with him and rightfully
belongs on the boat with the others.
Eventually, the banana drops and the ape
returns her to the sub, into the waiting
arms of Nomura.
And
with the repairs finally finished, the Explorer
leaves the ape behind and sails for the UN
Headquarters in New York. After making a
full report on their amazing discovery to
the General Assembly, turns out they
should have just stayed put as the powers
that be announce plans to send them right
back to Mondo Island to study Kong in his
native habitat. At
the ensuing press conference, when Ms. X,
disguised as a reporter, asks why Kong
seemed to listen and obey Susan, the
answer leads to this priceless line from
Nelson:
"It’s
very easy for us to understand. As
ridiculous as this may sound, Kong is a
male and Miss Watson is a -- well, see
for yourselves."
Yep,
that’s pretty danged ridiculous.
Getting
the info she needs, Ms. X slinks off,
turns her hat into a radio, and calls Dr.
Who. Seems they’ve changed their plans
and want to use the real Kong to
dig up the Element X, and all they need to
make that work is a way to control the
ape. And while the Doctor has his own
ideas, Ms. X believes Susan is the key.
Either way, they'll need the ape and Dr.
Who leads the attack on Mondo Island with
his fleet of helicopters. Using gas bombs,
they knock the ape out, and while securing
the monster for transport, the old
loon comes out of the jungle and orders
them to leave his big monkey alone. After
Who promptly shoots him three times,
stating plainly Kong belongs to him now, his men airlift
the snoozing ape to a
waiting tanker, destined to head back to the
North Pole. (Not
as goofy as the balloon lift in King
Kong vs. Godzilla
but goofy enough.)
When
the UN expedition arrives on Mondo, they
find plenty signs of a fight but no sign
of Kong. Namura finds the old loon -- and
the tough old coot is still alive; but his
wounds are mortal and he lives just long
enough to reveal that an "oriental
skeleton" -- a "devil
disguised as a man" -- has ape-napped
Kong. This doesn't seem like much of a
lead but Nelson knows it can be none other
than that international Judas,
Dr. Who.
Elsewhere,
when Kong wakes up in a cage at Dr. Who’s
North Pole stronghold, he doesn’t
quite know what to make of his robot
double stored nearby. (I
think he’s still under the influence of
the ether.) After assuring Ms. X
that they having nothing to fear from the
UN, Who then sets into motion his plan to
hypnotize Kong into obeying him by
lowering a large, glowing disco ball into
Kong’s field of view. (You are
getting sleepy…) And when Kong
goes off to la-la land, Who’s goons
implant a pair of control diodes into his
ears. In the resulting stupor, an
enthralled Kong obeys the Doctor's orders
to start digging and proves a natural
miner as he quickly burrows a new tunnel
to the Element X deposit.
While
watching this scene I kept
thinking about that old Sesame Street
sketch where the Cookie Monster had to
eat his way through an avalanche to get
a trainload of goodies through to the
children. "Through! Through!
Through! He'll get that train
through!" Anyway, back to the
review...
But
again, the glowing metal shorts out the
electronic diodes, and when Kong snaps out
of of his funk, the big ape goes berserk. For
once, though, Who appears to have been prepared
for this contingency and drops a huge
gate, sealing Kong inside the cave. And
since Plan A didn’t work, they'll
have to resort to Plan B and hatch
a plot to abduct Nelson, Namura and especially
Susan to control the ape for them. Sending
his henchmen disguised as UN agents, Who's
thugs hijack our heroes on their flight to
Tokyo. Namura smelled something fishy but
by then it’s too late and they're
whisked away to the North Pole. Once
there, when Susan refuses to cooperate, they're all dumped in a holding cell to
await their fate. Trying a more subtle
approach, Ms. X has a private meeting with
Nelson in her swanky spy suite and offers
him the opportunity to take Who’s place,
and then together, they can rule the world
-- but the evil Doctor catches her in the
act and breaks the meeting up. Tired of
being subtle, Who resorts to torture by
trying to freeze his prisoners into
submission. When they still refuse to
cooperate, as Who tries to push
Susan’s face against the flash frozen
metal, with his lady in distress, Kong
picks that moment to finally break out,
saving her. And in the ensuing panic and
confusion, the guards run off, leaving the
cell door open, allowing our heroes
escape.
After
breaking his way out into the cold arctic
tundra, Kong doesn’t like it and quickly
heads south. Mechani-Kong is dispatched to
retrieve him but his prey makes it to the
water and swims off before it can catch
up. Back inside,
Ms.
X manages to rounds up the escapees, and
despite seeming to have a change of heart,
turns them over to Dr. Who. Needing to get
Kong back,
they all pile into Dr. Who’s boat and
head after the rogue gorilla, who's making
a beeline for Japan. Along the way, Who's
goons install the glowing hypnotic-disco
ball on top of the robot Kong's head, and
are almost finished when several excited
radio reports state that Kong has swum all
the way to Tokyo and is headed inland. (That’s
gotta be some king of record.)
Once
again, Tokyo is forced to evacuate and
send in the army to battle the beast.
Meanwhile, Dr. Who’s freighter docks in
Tokyo Bay. By now, Ms. X has had a
complete change of heart and helps our
heroes escape just as Who activates
Mechani-Kong and sends him off to round
the real one up. (Her
sudden 180-degree turn is due to the fact
that she doesn’t want to see all the
destruction that Element X or the dueling
Kongs could wrought on the world.) When
Nelson
reaches the UN Defense Force's HQ, he
manages to convince them to back off and
let his team handle Kong. Namura and Susan
have already reached the ape, and the word
comes to stand-down just as the soldiers
and tanks were preparing to open fire. Now
it's up to Susan, who goes to Kong and
manages to calm him down -- but the peace
is short lived when Mechani-Kong stomps
his way on scene.
Let's
Get Ready to Rumble!!!!
Ignoring
her pleas to just runaway, Kong sets Susan
down and starts slugging it out with the
robot. But constantly blinded by the
robot's
high-beams, Kong starts to falter further when the
hypno-disco ball lights up and starts to
take control of him again. Luckily, a few
well-aimed rifle shots from Nomura quickly
puts the infernal contraption out of
commission. Undaunted, following Who's orders, Mechani-Kong
seizes Susan and starts to shimmy up the
Tokyo Tower. (The
same Tokyo Tower that Mothra destroyed in
her larval stage.) Enraged that it
stole his girlfriend, Kong climbs up after
them to get her back -- until Dr. Who’s
voice is broadcasted over the loudspeakers
in the robot's mouth, ordering Kong to
return to the boat or his robot will drop
Susan. But at the same time back at the
boat, Ms. X pulls a gun and orders the
Doctor to stop all this insanity. And as
they struggle over the gun, they trip
several switches on the control panels,
causing Mechani-Kong to drop Susan
prematurely. Luckily, Kong catches her and
gently places her unconscious body on a
lower observation deck of the tower. And
as Namura climbs up to her eventual
rescue, Who gets the gun away from Ms. X
and gets the Robot back under control.
Back at the tower, now
extremely pissed off, Kong continues his
pursuit of the robot all the way to the
top of the structure. Once there, as they
exchange several blows, trying to knock
each other off, Ms. X starts pulling wires
in an effort to destroy the control
panels. She succeeds, but Dr. Who shoots
her dead. Mechani-Kong, meanwhile, doesn't react very well to his controls
being destroyed and falls off the tower,
smashing into thousands of pieces on
impact. Above, Kong roars in triumph as
Nelson, Namura and Susan reunite at the
base of the tower.
As
dawn breaks, Dr. Who orders his men to set
sail immediately. But it’s already too
late as the look-out spots Kong and Co.
rapidly approaching. When Susan tells Kong
to stop Who’s ship, he does more than
that. First, he cripples the tanker by
tearing off the propeller, and then
proceeds to use that as a club to destroys
it. And the last we see of Dr. Who is the
arch-villian trapped in his flooding
control room as his ship, completely torn
asunder, quickly goes under. Releasing one
more triumphant roar, Kong then swims
away. Susan calls after him but Namura
stops her and says to let him go. And
Nelson puts the film to bed by saying,
"I think he’s had enough of what we
call civilization."
Amen.
The
End
King
Kong Escapes was a trans-Pacific co-production between
Toho Studios and those animation
wunderkinds, Rankin&Bass -- of Rudolph
the Red Nose Reindeer
and Mad
Monster Party?
fame, which
might explain the more than passing
resemblance between this Kong and the
Abominable Bumble. (They both
definitely bounce.) And the feature
film was loosely based on R&B's 1966
animated series, King
Kong,
where young Bobby and Suzy Bond befriend
the ape, who in turn helps out when their famous
scientist father comes under constant
attack from a variety of giant monsters --
most of them under the control of his
arch-nemesis, the evil Dr. Who. (No
relation to the British Time Lord.) The
Japanese studio Toei provided the
animation for the series, one of the first
American toons to be farmed out for
foreign animators, but when Arthur Rankin
Jr. wanted to make a feature film out of
it, he turned to Toho, who by this time
were old hats at this giant monster
business.
Commissioning
a script from them, Rankin rejected
Takeshi Kimura's first
effort, tentatively titled Operation:
Robinson Crusoe, when it strayed too
far off course. But the second script was
a go and the usual Toho culprits were all
present and accounted for: Tanaka produced
it; Honda directed it;
Ifukube wrote the score; Tsuburaya helmed
the rubber-suited mayhem;
and veteran
monster suit man Haruo Nakajima donned the
Kong suit, while Hiroshi Sekata played the
robot -- those two also played the battling
Gargantuan brothers, also scripted by
Kimura. As I stated earlier, this was
Kong's second appearance for the studio
but was there almost a third? Yeah. Sort
of. You see, Toho took the rejected Crusoe
script, and after a little more tweaking,
turned it into Godzilla
vs. the Sea Monster,
and you don't even have to look all that
hard at the movie to confirm these
suspicions: Godzilla
is revived with electricity, just like
Kong was in King
Kong vs. Godzilla;
the monster falls for a jungle girl,
carries her around for awhile, and
eventually dukes it out with some
airplanes; and it also marked a distinct
turn around for Godzilla as it launched
his new career as a cinematic hero.
Once
the film was completed, Rankin turned to
his parent company, Universal, to distribute
the film. Veteran voice man Paul Frees was
put in charge of the dubbing and provides
the majority of the male voices, while
Julie Bennet handled both Ms. X and Susan
Watson. Actually, Linda Miller was an
American model working in Japan when she
was cast in the role of Susan, and no
explanation has ever been given as to why
she had to be dubbed.
I
don’t know what it is about these giant
monsters amok productions that always give
me such a kick. I guess the F/X and rubber
suits offer me something tactile to look
at. Sure, they look goofy but at least
they look three-dimensional; CGI,
to me, sometimes looks very flat.
There's also a kinetic energy about them,
always bouncing around, beating the hell
out of each other, that I just enjoy
immensely. And the Kong suit for this film
is an absolute riot. Once
you get past the jaw-droppingly odd body
proportions, you’ll realize that the
face is better than the suit used in the
earlier film; it’s more articulate
around the mouth, but the mouth is
inexplicably filled with razor sharp
teeth! It’s eyes are also bigger -- and
aren’t in a perpetual squint like it’s
predecessor. (I
assume that was an effort to conceal the
eyeholes.) The zipper isn’t
hidden all that well, and the seams and
flaps used to cover it are pretty damned
obvious in a few spots. But then again, we
know it’s fake and do we really care?
Speaking
truthfully,
King
Kong Escapes owes just as much to the oddball spy
flicks Toho was putting out at the time as
to their Kaiju-eiga canon. Dr. Who
is definitely a Bondian villain with his
secret hideout, innumerable henchman, and
a demented plan to take over the world. (But
he definitely doesn’t have a dental
plan. Wow. Check out that lower bicuspid.)
And Ms. Hama was an actual Bond girl from You
Only Live Twice.
Hama and Amamato would also appear
together in Kagi
no kagi
-- the spy movie that Woody Allen
commandeered, changed the soundtrack of,
and then released as the friggin'
hilarious What’s
Up Tiger Lily.
When
I dug into the World Wide Web to get a
little background on this film, the number
of sites and critics who called this film,
"awful", "terrible"
and "annoying" puzzled me.
Are
these people nuts?!? King
Kong Escapes
is insane, bizarre, and most importantly,
a helluva a lot of fun and is such an
extremely vivid chapter in the life of
King Kong, I’m beginning to regret not
using this film as the wrap-up for Monkey
See -- Monkey Doo-Doo!
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