At
an unnamed high school, new student David (Derrel
Maury), quickly learns the ropes
from his old friend, Mark (Andrew
Stevens), since the two used to go
to a different school together. The first
lesson learned is that Mark
belongs to a kind of Junior Gestapo, who
rule the school through bullying tactics
and intimidation. Led by Bruce (Ray
Underwood), the group is rounded
out with fellow cronies Paul (Damon
Douglas) and Craig (Steve
Bond). Amazingly, the school puts
up with these clowns because A.) due to
their efforts there is an extremely
enforced and peer-pressured induced peace
in the halls, and B.) there doesn't appear
to be in any teachers at the school
anyway, making the whole point moot.
The
main targets for these nazi-wannabes are
the general riffraff and nonconformists
like Spoony (Robert
Carradine), a burnt-out peace-nik,
who they catch and punish when he tries to
draw a swastika on Bruce's locker, and
Rodney (Steve Sikes), a
motor-head from the poor side of the
tracks, while the aptly named Mary and
Jane (Cheryl "Rainbeaux"
Smith & Lani O'Grady) are
deemed a couple of skanks and treated as
the same. They also pick on Oscar (Jeffrey
Winner) because he's fat; and
Arthur (Dennis Kort) because
he's a nerd and a cripple (he
wears a hearing aid);
and Harvey (Thomas Logan)
because he's a dork -- you get the general
idea. As a newcomer, David would also be a
likely target, but Mark intervenes on his
behalf. At their old school, David saved
Mark's hash once over some serious
trouble. Owing him, Mark works hard to
convince the others to leave him alone --
in fact, he encourages Bruce to let David
join their group. Bruce agrees, but it
turns out David isn't all that impressed
with them or their tactics but plays along
for Mark's sake.
But
when the Junior Gestapo -- that I will be
referring to as the J.G. from now on --
hijacks Rodney's old jalopy, Bruce rods
the heck out of the poor car, eventually
shelling the motor, rendering it useless.
They laugh, leaving the powerless Rodney
behind to stew on his misfortunes. Having
witnessed this abuse, David quietly peels
off, away from the group. Angered by what
he saw, for a moment, this obviously
intense and volatile young man appears
ready to "Hulk-out" on his old
friend and his buddies, but instead vents
his rage at the power elite by running,
and running far away -- this time.
Thus, setting the stage for the next incident,
for who knows what will happen when this
emotional powder-keg eventually goes
off...
It's
amazing what you find when you least
expect it. You remember how I'm always
talking about the huge pile of blank tapes
that lie unlabeled on the bottom shelf
over by the TV. Well, for those
uninitiated, there's probably about fifty
of 'em -- and I honestly don't have a clue
what's on most of them. So when I wanted
to tape Hell
Up in Hollywood,
AMC's documentary on blaxploitation movies
earlier this week, I pulled one off the
pile at random and popped it in. Being
anal, 'cuz that's how I roll, I did a
little swing search first to see if there
was anything on it I wanted to keep for
posterity. First up was an old Monstervision
episode, Joe D'Amato's 2020
Texas Gladiators,
a mash-up of The
Magnificent Seven
and The
Road Warrior,
and since I'd never tape over that, or
anything with Joe Bob Briggs, I fast
forwarded aways, pressed play again, and
got a big and most pleasant surprise.
No
way! I thought I taped over this!
Quickly
checking the time-counter, I crossed my
fingers and rewound the tape -- but was
disappointed to find out that I had,
indeed, taped over part of it. However, I
still had the vast majority of the almost
impossible to find Massacre
at Central High,
Rene Daalder's sociological study of
group-dynamics mixed with some homicidal
tendencies that was just screaming to be
reviewed. Having recorded this years ago
off of TBS, when they used to show movies
during the overnight -- and anyone else
remember those good old days when the
Superstations actually showed, you know,
older and odder movies? -- like I said,
about the first half-hour was lost but
I've been able to cobble it all together
from the beginning with the help of a few
other sources, including my faulty memory.
Massacre
at Central High
was the first exploitation film brave
enough to use the word
"massacre" in it's title after
Tobe Hooper's classic Texas style massacre
sent the country into a tizzy two years
before. And I hold out a hope to see it
again, complete, and uncensored, someday.
Speaking frankly, I really think that's
one of the main reasons why this film
enjoys such a reputation as a cult classic
because it's nearly impossible to find.
And speaking even more frankly, I'm not
really sure if wider circulation would
help this film's reputation or hurt it.
Read on...
After
helping trash Rodney's car, Mark meets up
with his girlfriend, Teresa (Kimberly
Beck); but she refuses to go
parking with him, claiming it's too cold.
She's also worried about the moody David
but Mark guarantees her that his old
friend can take care of himself. The
next day, as Teresa talks to Mary and Jane
(-- and yes, I giggle every time I
type their names), they spot David
walking to gym class, and when Mary
comments on his good looks, Jane says
she'd better try something fast before
Bruce and his goons gets their hooks in
him. Inside the gym, while David easily
shimmies up the dreaded rope of doom, the
J.G. encourages fat Oscar to climb higher
-- by employing a switch-blade to his butt
as incentive! Refusing to join in on the
hazing, David hits the showers. Mark
follows, proudly claiming Oscar got
two-foot higher than he ever had before.
With that, David angrily accuses Mark of
changing into something they always hated.
Worried that he might do something rash,
Mark tries to make peace and begs him not
push the issue with Bruce. Reluctantly,
David backs off. Later, when classes let
out, these two old friends round up Teresa to go and do
something, but Bruce intercepts them.
Seems Mark is needed for a meeting in the
J.G.'s Black Van of Death. When they're
out of earshot, David rips
into "the little league Gestapo"
and complains to Teresa about how nobody
does anything to stop them. Inside the
Black Van of Death, Bruce voices his
concerns over David, who seems to be
spoiling for a fight. Promising to take
care of it, Mark assures them all that
David will come around.
Later,
David watches and simmers as the J.G.
takes over the school's swimming pool.
When they get in, everyone else must get
out. David follows Spoony, who was rousted
out of the water, and asks why he doesn't
fight back. Spoony answers he tried to
protest once, with disastrous results, and
is now content to find inner-peace (--
if you know what I mean and I think you
do.) The
next morning, David spots Rodney trying to
hitchhike to school. At first he won't
accept a ride with David, thinking he's
one of Bruce's goons. But David assures
he's not and even offers to help Rodney
fix-up his old car; they can even use his
garage since Rodney's dad doesn't like
strangers because they upset the chickens.
"TWANG!"
(Sorry,
that was my brain.)
When
the two new friends pull into the parking
lot, rolling past the J.G. -- who lurk
around the Black Van of Death, that
I've affectionately dubbed the B-VOD --
Bruce doesn't like seeing David hanging
around with losers; but his attention is
quickly drawn to Mary and Jane, who pick
the wrong day to mouth off to them. Oh
yes, Bruce
has plans for the two girls, but they'll
have to wait because it's time to hit the
library and pick on Arthur. Bruce and
Craig watch as Paul returns an overdue
book, and when he refuses to pay the fine,
Arthur's pleas for a logical resolution
are ignored as he's thrown to the floor
and buried under a pile of books. The deed
done, the
J.G. leaves, just as Mark and David walk
in. As David moves to help Arthur, Mark
tries to stop him but David shrugs him
off. Chastising him for ruining a good
thing, Mark reminds David that he's got it
made -- unless he blows it by playing the
hero. David counters with the same
warning, and punctuates it by ripping into
Mark, reiterating that he changed into
everything they used to hate the minute he
started thinking he was better than guys
like Arthur and Rodney. Not wanting to
hear it, Mark leaves him alone to dig
Arthur out. When
the bookworm finally comes up for air, he
informs David that he's breaking a long
school tradition. David answers, He
sure hopes so. Again, David asks why
doesn't anybody fight back? Arthur, ever
the logical one, claims that's an
ill-conceived notion considering his
physical prowess. When David suggests he
doesn't have to fight alone, Arthur
dejectedly replies It's best if we each
lose our own battles.
And
I have to take this opportunity to stop
the review and chime-in to point out
that at almost an hour into the film,
there has been little hint or sign of
any kind of massacre. Hello? Movie? *tap*tap*tap*
Is this thing on? Hello?!?
As
Arthur explains the circle of life via the
Dewey Decimal system to David, things turn
a little more sinister when the J.G.
decide to take Mary and Jane down a few
pegs (--
if you know what I mean, and
unfortunately, you probably do.)
It's not a question of scoring, Bruce
lecherously intones, it's about teaching
them a lesson. This proves too much for
Mark, who bows out even though the others
haze him. Dragging Mary and Jane into a
deserted classroom, Bruce and the boys
commit to raping and pillaging. To their
credit, the girls put up a helluva fight
for as long a they can but are soon
overpowered; and all I gotta say is --
WHERE IN THE HELL ARE ALL THE TEACHERS IN
THIS FRIGGIN' SCHOOL!
Down
the hall, Mark runs into Teresa who is
looking for the other girls. He tells her
to forget it, they're too busy with Bruce.
But Teresa knows what Bruce's idea of a
"good time" is and rushes to put
a stop to it. Bursting into the class room
just as Mary's clothes are about to be
ripped off, Bruce orders her to get out.
When Teresa refuses, luckily for her,
since she's Mark's girlfriend, instead of
adding her to the pile, the J.G. just
forcefully throws her out into the hall --
where she plows right into David. Back
inside the locked classroom, Paul and
Craig, worried that Teresa will go for
help, think maybe they should just call
the gang rape off. Bruce nixes that idea,
and then there's a knock on the door. Then
a voice, claiming to be Mark, asks to be
let in. Before it can be unlocked, the
door is forcibly kicked in, sending Paul
sprawling. Next, David storms in and
proceeds to beat the hell out of all of
them, with Mary and Jane happily joining
in on the ass-whupping.
And
kick them fascists once for me!
When
it's over, after scraping what's left of
Bruce off the bottom of his shoe, David
chases Teresa down. Obviously, he's
falling for her, but she's not really
happy with any males right now, and will
in now way, shape of form applaud that
display of testosterone. (Well,
ma'am, he did prevent a rape.)
Claiming his intentions were noble, David
thinks they both just need to go for a
long walk on the beach to cool off. She
agrees.
In
the B-VOD, as the J.G. lick their wounds,
a mortified Bruce openly worries if word
that David beat the crap out of all of
them, alone, they're reign of terror is
over. Still insisting it would be better
to have David working with them instead of
against them, Mark is given just one more
chance to bring David around. Meanwhile,
at the beach, Teresa finally admits she's
glad that someone finally fought back --
and wishes she had the guts to fight back,
too; but it's too easy to hide behind
Mark. However, with David making a stand,
perhaps she can find some unfound courage,
too. They walk on, noticeably closer
together now.
Up
on the coastal road, the J.G. spots
David's jeep and let Mark out to go and
talk to him. Heading down, towards the
water, he spots Teresa's and David's
clothes; he can also hear them giggling to
each other out in the surf. Refusing to
look further, Mark returns to the B-VOD
but just tells them David refused. With
that, Bruce promises that David won't know
what hit him. Mark, again, takes a pass on
the coming retaliation and leaves. The
others wait and follow David home and
confront him in his garage. Underneath
Rodney's car, banging away at something,
David refuses to come out to talk to
Bruce. Not to be ignored, Bruce yanks on
David's legs. David kicks at him, knocking
the car off the jack in the resulting
melee, and in a rather graphic scene, his
leg is crushed under the back axle.
Intended or not, the J.G. splits while
David screams in agony.
As
David recuperates from the devastating
injury Mark and Teresa try to visit, but
he refuses to see anyone. He's lost the
damaged leg from the knee down, but David
claims he was alone when it happened and
it was just an accident. After another
unsuccessful visit, Teresa makes a full
confession to Mark about skinny-dipping
with David; and she had wanted to take
things even further, and David did, too,
but he refused because she was Mark's
girl. At
the school, all the geeks and nerds --
Spoony, Mary, Jane, Oscar, Arthur,
and Rodney -- gather
together, pining for what might have been
if David hadn't gotten hurt until the J.G.
breaks them up.
Eventually,
David returns to classes. Hampered with a
bad limp, dragging his false leg, he's
stopped by Bruce who thanks him for not
ratting them out. David ominously states
that ratting people out just isn't his
style. Bruce knows full well it's a threat
-- but what can a cripple do to him?
Plenty.
David's
revenge begins out in the parking lot
where he sabotages Bruce's hang-glider
that's always stored on top of the B-VOD.
And when the J.G. heads out to Malibu,
after Bruce climbs into the harness and
takes off, things go smoothly -- until the
vital wire David cut finally snaps. Like a
giant wounded bird, Bruce loses control
and careens into some power-lines where he
is brutally electrocuted before he can
even properly crash. Written off as a
terrible accident, we know better. That's
one down and three to go.
Yes.
Three; David is gunning for his old
friend Mark, too.
Craig
is the next one to have an untimely
accident. A member of the diving team, he
abuses his privileges by using the pool
after school hours. However, on this
particular night, the janitors had left
him a note saying the pool had been
emptied for cleaning. David finds and
destroys the note first, and then
sabotages the lights. Unaware -- and not
very observant, Craig does a jack-knife
off the high-board into an empty pool.
Splat.
Two
down. Two to go.
When
the geek council meets again, Arthur
postulates that the accidents are more
than coincidental but Spoony thinks it's
just instant karma biting the J.G. right
on the ass. And when Paul tries to bully
them David intervenes, saying his threats
are no good anymore. Mark pulls Paul away
before they can exchange punches, and
while they retreat, the geeks cheer,
clamoring that they should have made a
stand a long time ago. They ask David to
join them but he respectfully declines.
Paul
also thinks David is behind the accidents,
and Mark doesn't disagree with him but
there's nothing they can do except keep a
low profile and stay off his radar. (Or
maybe go to the police?!?)
Later, Teresa tries to talk to David again
but he tells her to just forget about him.
After school, while Paul surfs, Mark and
Teresa argue about David until Teresa
stomps off. When Paul paddles in, more
paranoid than ever, he claims he won't be
an easy target like the others. But then
what does he do? He goes off -- by
himself -- back to the B-VOD.
Brilliant. Throwing his surfboard in the
back, he crawls in behind it, and once
inside, we hear someone hitting him. Then
David jumps out, puts the van in neutral
and pushes it down the hill until gravity
takes over. He's long gone before Mark
makes it to the road, just in time to see
the B-VOD careen wildly backwards down the
road toward a cliff. He gives chase but
it's hopeless: Paul comes to just as the
B-VOD flips over the guardrail and crashes
down the cliff where it detonates and
fireballs on impact.
Three
down.
Back
on the road, Mark calls for David who
magically appears beside him. Accusing him
of multiple-murder, David snaps back that
if he knew, then why didn't he do anything
to stop him. Sensing his days are
numbered, Mark tries to bring up their old
friendship. When David says to stuff that
crap, Mark tells him to just get it over
with, then, and kill him right there.
David smirks; there will be no swift mercy
killings. He'll choose when and where, and
he hopes Mark will be man enough to at
least struggle. Unknown to either of them,
Teresa overhears the whole conversation.
The
next day, after the latest "tragic
accident", David strolls through the
school, soaking in the peace and serenity
he's created by eliminating the J.G.
cancer. Strangely, everybody gets along
great at first, but anarchy eventually
creeps into this new utopia -- starting
with a seemingly harmless food fight in
the cafeteria. That
night, Teresa rousts David out of bed,
begging him not to kill Mark, blubbering
that if he kills Mark, he kills her, too.
Unable to stand the sight of a blubbering
woman, David promises that nothing will
happen to either of them.
At
the school, the void left by the deceased
J.G. is just begging to be filled and
proves too tantalizing for some, and the
geek council is starting to splinter in an
attempt to seize power: Oscar is starting
to bully people in the hall; and Arthur
refuses to cooperate with Spoony, Mary or
Jane. Separately, they all try to form an
alliance with David. Growing more
frustrated with each offer, he turns them
all down. Didn't he just fix this problem?
The
last straw comes when David finds Rodney
in the parking lot driving Bruce's old
muscle car. He watches as Rodney attacks
Mark's car, breaking the headlights and
windshield. Hot Rod wants to join up with
David, too, and take over the school and
then put all the rich kids in their place.
That
night, we spy the disillusioned David in
his garage working on some concoction.
When its done, he dumps the contents into
a pipe and applies a fuse. Uh-oh.
This isn't going to end well is it?
The
next day, when Spoony and the girls take
another run at Arthur in the library to
consolidate their factions, he can't hear
them because he didn't have his
hearing-aid on. Turning it up, we hear a
high-pitched screech, and then Arthur
seizes up before collapsing -- and we spy
blood coming out of his ear. Arthur
is dead. And while Spoony and the others
protests their innocence, Oscar roams the
halls, tossing people around. Moseying up
to his locker, he opens it -- and is blown
to bits. Before the smoke clears, as the
student-body flees the school in a panic,
Rodney spots David out in the parking lot
and asks what happened. Obviously, some
student has gone insane and he advises him
to vacate the premises. Taking that
advice Rodney hops into his new car and
turns the ignition, triggering another
massive explosion. Quickly moving on to
mop up the rest of the geek-squad, David
tracks down Spoony, Mary and Jane --
currently occupying a tent at the bottom
of a cliff. Inside the tent, the threesome
are up to no good. Doing what exactly? I
have no idea -- but I bet it has something
to do with sex, nudity and drugs. Curse
you basic cable and you're high-falutin
morality code! When the cliff is rocked
with a series of explosions, the resulting
rockslide buries the tent and I believe
Spoony, Mary and Jane are now part of the
cosmic consciousness.
You
dig? I dig.
But
even with the geek-squad eliminated,
another group moves to take its place.
When Harvey finds David at his garage, he
offers a plan: They can frame Mark for all
the killings and then David can have
Teresa, and Harvey can take over the
school. Realizing that the cycle will
never end, David is helplessly caught --
unless he does something even more
drastic!
Speaking
of Mark and Teresa: Where is our
non-committal couple anyway? Well, they're
still giving sanctions more time. I
kid. I kid. After nine grisly deaths,
Mark has finally decided to do something.
Go to the police? No, that would be
logical. Instead he's got a gun and they
drive to David's garage to stop this once
and for all. Ordering Teresa to stay in
the car, he heads inside and catches David
putting the finishing touches on his
latest project of mass destruction.
Impressed that Mark finally got the stones
to act, David opens up and admits that his
plan, though noble in intention, was
fatally flawed. He knows now the ultimate
remedy for the school's problems: There
can be no problem if there is no
school! For the moment, Mark has the
upper-hand but Teresa picks an inopportune
time to barge in. With that distraction,
David manages to get the gun away from
Mark without much trouble. He excuses
himself, time to execute his plan, and
locks them inside the garage.
At
the school, the alumni dance is in full
swing. David moves emotionlessly through
the revelers like a ghostly apparition.
Has he planted the bombs yet? Who
knows. Back at the garage, Mark manages to
kick the door open, and as they head for
the school, he tells Teresa that David is
going to blow up it up, but together, they
can stop him -- if they can reach him in
time. Why? Because David loves Teresa.
Sure. Why not? Then the
plot-specific car radio says that evidence
was found in Spoony's abandoned van,
planted by David, framing him as the
killer.
We
also notice that Mark's car has
magically healed itself from Rodney's
earlier attack.
They
spot David in the gym, still watching the
people try to dance, and confront him. He
warns the couple that they have about
three minutes to get out. But when Mark
and Teresa refuse to leave, David tenses
up; screw it -- he warned
them, everybody in the gym is going to
die. He moves to leave but Mark and Teresa
just join in the dancing, fully prepared
to meet their doom. Leaving the gym, David
hesitates, then stops, and then heads back
inside. And while Mark and Teresa
dance their lives away, David moves as
fast as he can, retrieving the bomb and
manages to just get back outside before it
promptly explodes before he can get rid of
it.
Inside
the gym, the revelers hear the explosion
and head outside to investigate. The older
people thinks it's just some damn fool
kids playing a prank -- until they spot
the smoldering corpse. When the police
arrive, we pan over to Mark and Teresa;
they both agree to make David a hero,
saying he discovered that Spoony planted
the bombs and died saving them all.
The
End
I
think it was George Orwell who said that
all revolutions are doomed to failure. For
no matter how good the intentions are,
once the seat of power is overthrown, the
revolutionaries will unravel, and in most
cases, become worse than those who came
before them. Read
his Animal
Farm
for further proof of that theory. And that
is the general theme of Massacre
at Central High.
But as a political allegory it can't quite
decide where it stands or what it stands
against. The pendulum swings all the way
from the far left to the far right,
throwing punches at everything in between.
It's anti-fascist for the first hour or
so, and then goes Orwellian and
anti-socialist for the last part. Every
class and social strata are present but
the creators are telling us that none of
them are worth a spit when power is at
stake Even more damning is that with all
the evidence presented, the only good and
peaceful times to be had seems to be
during the bloody transitions. There is a
fine line between utopia and dystopia, I
guess. One second it's railing against
Bruce and his horde, and then it's telling
you things might have been better while
they were in charge. Status quo is good?
Change is good? What?!? Make up your damn
mind.
That
may sound kind of harsh but I'm not sure
where I stand on the film. People, whose
opinions I truly respect, think it's a
subversive, hidden gem. Personally, I can
look past the revenge and body count plot
and see what writer/director Renee Daalder
was trying to convey in the film but, dang
it, it comes off as rather obtuse and,
dare I say, kind of silly. Let's
make a political and social statement that
the kids can relate to by having them kill
each other off after the revolution
finally comes? The
whole dang crux of the movie is to somehow
get the neutral Mark to do something --
anything! Only when he finally does take a
stand against David, at the end, does the
chaos end. But! With everything they've
shown us so far, who's to say or how can
we believe that a school run by Mark and
Teresa is going to be any better?
This
is a little too nihilistic, even for me.
Daalder
was a protégé of Russ Meyer, and it was
Meyer who recommended his former cameraman
to the producers of this film. Alas, the
producers put their money on the wrong
pony when the film imploded at the
box-office, and Daalder didn't make
another film for almost ten years. Most of
this can be blamed on the lofty and (too)
lengthy script, for his cast does pretty
good with it, given the high-brow
intentions they're saddled with. Robert
Carradine must have really gotten into his
character because he doesn't recall the
four days he spent filming it. '70s
staples Andrew Stevens and Rainbeaux Smith
(sans
top I've been told)
are solid as is future Bradford clan
member, Lani O'Grady -- anyone else
remember Eight
is Enough?
The film's best asset, though, is Derrel
Maury who is perfect as the brooding
David; there is a rage within him that he
barely keeps contained, and when it
breaks, pray your nowhere near him. Sadly,
this appears to be his only film role.
Wallowing
in obscurity, for those who managed to
actually see it, there is a large
dichotomy between those who love Massacre
at Central High
and those who hate it. Those who love it
champion it's message, muddled though it
may be. Those who hate it usually watched
it based on the notorious title and some
very misleading advertising campaigns and
VHS box covers. Expecting some kind of
psycho/slasher flick, they wound up
getting a lesson in civics. In its
defense, the body count is high but the
killings aren't very graphic and the
filmmakers show a great deal of restraint.
And of course there's the fact that you
have the word massacre in your
title but it's over an hour before anybody
is -- well, massacred...might tend
to piss off your target audience.
So
in the end, I'd call Daalder's experiment
an interesting misfire. Which is why I
also feel that it is my civic duty to curb
some of the enthusiasm surrounding this
film's reputation. I've always professed
that expectation is a harsh mistress
seldom satisfied. Massacre
at Central High
deserves some credit for being different,
and putting a new twist on an old formula,
but don't expect too much else. Though I
still have a few complaints and
reservations about it, I'll still
encourage people to see it, despite it's
flaws. I can't say I loved it but I can
respect it for what it tried to do.
Take
that for what it's worth. As for right
now, I gotta go see what other hidden
treasures are lurking over there on the
bottom shelf.
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