Road Ends
(1998)
Director:
Rick
King
Cast: Dennis Hopper, Peter Coyote, Chris Sarandon
This PM Entertainment does get points for doing
something a little different
than their usual wall-to-wall action movies. And it is better than
their
previous effort, The Sender -
but
not by much. Not long after it starts, Road Ends quickly
becomes a boring drama that doesn't seem to know what it's about. At
times,
it plays like they are making it all up as they go along.
Surprisingly, the movie actually starts off well, and
with a lot of
promise. A mysterious man named Estaban (Sarandon) is driving in the
desert
at night, being escorted by two men in another car. Without warning. he
executes a plan that, let's say, makes sure the men will stop following
him. He then pulls into a dying town, where the nosy town sheriff
(Hopper)
tells him where he can stay, at a bed and breakfast owned by Kat
(Mariel
Hemingway). He goes there to wait for....something, or someone, signing
in with a name different than his. This name happens to be the same
full
name as Gene (Coyote), an L.A. FBI agent working on a drug case that
happens
to involve Estaban. What connection is there between the two men?
Though
the sheriff doesn't know about this connection, he is suspicious enough
of this stranger in his town to do some investigating of his own -
though
his jealously of the stranger's attraction to Kat is also probably a
factor
in his snooping.
There's certainly a lot of stories to tell from that
synopsis. Road
Ends deals with the telling of these by splitting the
narrative
in two - alternating between the events in the small desert town, with
the happenings of the actual Gene in L.A. This method of telling the
stories
actually works for the first third of the movie - we are intrigued by
the
mysterious characters of Esteban and Gene, and we want to know what
kind
of connection the two men have. Every character and every story in this
part of the movie is told in a laid-back fashion that I found
attractive.
I liked the casualness of the scene at the lake when the sheriff first
meets Estaban, and starts to question him. Back in L.A., I enjoyed the
matter-of-fact dialogue between Gene and his colleagues; the
screenwriter
took time here to write lengthy dialogue that's interesting and less
stupid
than you usually find in a low budget movie. The screenwriter also
added
a little subtle humor to the mix (one of the gags being that Gene has a
partner named "Roger".)
Director Rick King also manages to put a personal touch
to the proceedings.
He is, of course, assisted by the PM Entertainment trademark of
superior
photography, and the movie has a generally more expensive look than low
budget movies from other companies. The chosen semi-desert locations
are
attractive to the eye as well. In these desert locations, King manages
to generate an atmosphere of both isolation and resignation,
appropriate
for a dying desert town. The laid-backness of everything seems
appropriate.
But eventually, the casualness of everything backfires
after this first
third has ended. Because by then, we see that for pretty much the rest
of the movie, nothing is going to happen. The cool casualness
that
we experienced was just coasting, because nothing was generating it -
even
casualness needs some energy. From this point on, much of the movie is
consisted of people having conversations not necessary to the plot, and
the viewer will get terribly impatient, pleading for anything - even a
gratuitous shoot-out - to break the monotony. Well, a subsequent
shoot-out
in L.A. with Gene is gratuitous, all right, though it's both not
exciting
and really relevent to the plot. (The only purpose it has seems to be a
way to fit the PM Entertainment trademark of glass being broken in
every
movie.)
The actors don't really seem to care about their
performances in Road
Ends, as if the uneventful screenplay and the extremely relaxed
atmosphere sapped their strength. It's odd seeing Hopper (generally)
act
pretty calmly in a movie. Now, I'm a fan of Dennis Hopper, and I think
he always brings something to a movie, even including this one. Though
a lot of time he seems preoccupied by something in his mind, not quite
paying attention to the "action" on the set. The character of Estaban
is
so secretive, Sarandon hardly gets a chance to give any kind of
performance,
good or bad. Coyote, on the other hand, has a lot of opportunity to act
- unfortunately. His performance is so lazy, so effortless, he almost
disappears
off the screen. His character is also written lazily as well; one scene
ends with the hero realizing that he's being followed, and the next
scene
begins with the followers in handcuffs and in custody. He hardly gets
into
any action in the movie - in fact, Gene doesn't make it to the desert
town
until the last ten minutes of the movie, and what happens then made me
groan - loud. (There are other signs of lazy filmmaking here, the worst
being when a truck barreling down the highway at someone is shot, and
then
crashes offscreen. You don't even get to see the truck after the
crash.)
Speaking of these actors and their characters brings up
another problem
the movie has - no character really has any focus. Every character
seems
to be given an equal amount of screen time, and no character seems to
stand
out from the others. In fact, I wasn't sure who were the bad guys, and
who were the good guys. As a result, I didn't give two hoots about who
lived or who died. And the result of that is that Road Ends has
no point, no purpose, and no particular reason to take the time to
watch
it.
Check for availability on Amazon (VHS)
Check for availability on Amazon (DVD)
See also: The Stranger, Phoenix, Chino
|