Survivor
(1987)
Director:
Michael
Shackleton
Cast: Chip Mayer, Richard Moll, Sue Kiel
I first came across Survivor about ten
years ago on The
CBS Late Movie, where they would show bizarre movies I'd never
heard
of before, and sometimes never saw anywhere else again. At that time,
it
made a great impression on me; I thought it was one of the best
post-apocalypse
movies I'd ever seen. Recently, I saw a copy of it at a video store in
my area, and I decided to rent it to see if it held up just as well
today
as when I first saw it. Well, it didn't - I no longer think it's one of
the best. But despite this, I still think it's one of the better
attempts
of the genre. True, seeing it today, I now see much clearer how
incredibly
low budget this movie is, which does hurt the movie badly at times. At
the same time, I still see a lot of imagination and resourcefulness on
the filmmakers part, and they succeeded in doing a few things that
higher
budgeted movies of this genre haven't or have failed to do.
The first few minutes of the movie start off
intriguingly (though a
little confusing to follow), with eerie flashbacks and flash forwards
mixed
with footage of the hero (in the present) literally tied up in a
predicament.
We slowly learn his story. The Survivor (his real name is never
revealed)
was a former astronaut who was up in space when the earth was engulfed
by a nuclear holocaust. Returning to earth (spouting an oddly short and
80s-looking haircut) he found the earth an utter wasteland, and
virtually
all of humanity dead. (In the next 10 years, he only meets 30 people.)
Hearing a rumor of a secret underground city far into the west, the
Survivor
travels deep into the uncharted wasteland. He gets into several
adventures
along the way, including meeting a mysterious woman (Kiel) who seems to
know something about this city, but she is kidnapped before he finds
out
where the city is. He pursues the kidnapper, and soon discovers just
what
this "city" is - leading to his biggest challenge yet.
All along this way, and beyond, it's unfortunate that we
are reminded
on a regular basis just how little money the filmmakers had to work
with.
First, there's the use of stock footage. There isn't that much of it,
but
when you see something like a space shuttle taking off, you know that
wasn't
shot for the movie, especially since the quality of the footage is
different
from the rest of the movie. Also used several times in the movie are
flash
forwards of a key scene near the end of the movie, with more of the
scene
revealed as the movie progresses. I do not understand why this key
scene
is spoiled for us in this manner, except maybe to pad out the running
time.
The worst sin the movie commits is that there's TOO MUCH NARRATION. I
estimate
that at least 50% of the dialogue of this movie is consisted
of
narration from the Survivor, the woman, and a few other characters. At
first it seemed like maybe they did this to patch up any plot holes the
first cut had, but as the movie progresses, it soon becomes clear
(thanks
to some scene when the characters actually speak out loud) that the
movie
was designed this way, probably because it's cheaper to shoot a movie
silently
and dub in dialogue or narration later. And sometimes when a character
actually does speak, they are obviously dubbed. This narration is taken
to bizarre extremes at times; the first part of the movie, where we are
explained about the situation, the hero's past et al is all done with
narration
- so we don't see the Survivor in space, we don't see him talking to
the
man who tells him about the city, or anything else until the Survivor
starts
on his journey.
Though the movie was saddled with extensive narration,
the filmmakers
actually made some of it turn to their advantage. Though that first
fifteen
minutes of so has no actual dialogue (just narration), much of this
section
of the movie has nobody talking in any manner - it just shows the hero
wandering around with no one else around, and it's haunting. Most of
the
narration is actually the thoughts of the character onscreen, and quite
a bit of it is interesting to hear ("The world ended when we stopped
talking
to each other. Now we don't even try," the hero lamentably thinks after
a disastrous encounter with someone.) It's also very effective for the
mood of the movie; we get to know what the characters are feeling, so
the
movie's atmosphere becomes stronger. It's surprisingly bleak - we feel
the characters' loneliness, pain, thirst, and a general numbness from
the
years of hell they have gone through. When they say the world they are
living in is dying, we believe it. There seems to be no hope for them.
The movie's atmosphere is enhanced also by well chosen
locations, extremely
well photographed. I couldn't determine where this movie was shot (the
credits don't even mention the country that made this movie, though
there
are clues this was a European co-production, including the dubbing),
and
I really want to know, because I've never seen such visuals in a movie
before. There's half of a completely rusted ship stranded a few feet
offshore,
with nothing else man-made in sight. The desert nearby looks as dead
and
lifeless as a desert could possibly be, yet it looks beautiful. It's
made
absolutely stunning during the scene where the Survivor, curled up on a
small solar powered railway cart, speeds through this wasteland. It's
clear
that the "underground city" was a factory of some kind darkened by the
filmmakers, but it's impressive to look at all the same. Not only are
all
of these locations pleasing to the eye, but they all clearly illustrate
the hurt and dying world this is.
I think that some people will still object to Survivor
because
of one or both of the following reasons: the relative non-action tone,
and the general pace of the movie. There isn't much action in Survivor,
yes. Aside from a few minor scuffles or sorts, there is really only one
big action sequence. It is a pretty good sequence, though -
the
hero and several villains are swinging on chains high above the ground,
trying to kill each other while trying to hang onto their chains. Aside
from that scene, that's about it for action. The first part of the
movie
is basically the trip through the desert and the encounter with the
woman,
and the second half of the movie is more or less the Survivor trying to
save the woman, but mainly sneaking around trying not to be seen. When
Richard Moll - the main villain - finally appears in the last twenty to
thirty minutes, things do pick up a bit. Though he acts a bit over the
top, he is appropriately menacing, and he has a long and quite
interesting
monologue where he blurts out almost randomly about several issues.
As for the pace of the movie....yes, this is a quite
slow movie. This
actually didn't bother me that much, because (for some weird reason) I
have a fascination for post-apocalypse movies, so I perhaps have a
higher
patience level for this genre of movie. Even when the movie is
obviously
padded, there was always something happening that made up for this -
the
visuals, the interesting narration, and the feel of this
movie.
Never have I seen a post-apocalypse movie have such a bleak,
pessimistic
tone before. It's quite unique, and that's maybe a large part of why I
liked Survivor - it's quite different from other
post-apocalypse
movies. If you're wanting a movie of this genre that's full of action,
forget it. But if you are in the mood for something different, and
you're
feeling more patient when the opportunity to watch it arrives, give it
a try.
Check for availability on Amazon (VHS)
See also: A Savage Hunger,
No Blade Of Grass, Omega Doom
|