Against A Crooked Sky
(1975)
Director: Earl
Bellamy
Cast: Richard Boone, Stewart Petersen, Henry Wilcoxon
The first Stewart Petersen movie I reviewed for this
page (Seven
Alone) was pretty bad. The next one I reviewed (The
Rivals) was so-so. So before watching Against A
Crooked
Sky, it seemed logical that it would be pretty good. And it
was.
It's definitely no masterpiece - the last third of the movie has some
serious
problems, and the story is derivative, seemingly a cross between the
major
studio westerns The Searchers and Mackenna's
Gold.
But
I thought it had its share of original moments that were quite good,
and
even during the more predictable moments I was never bored, for they
were
usually presented in a palatable manner.
This movie is a self-proclaimed "family film", largely
advertised by
the fact that it was given a G rating when it was released. With that
in
mind, it's interesting to compare what was considered family friendly
in
the '70s, compared to now. Take the opening sequence, set somewhere in
the American desert during the age of the cowboy. In a peaceful valley,
we see Charlotte, a young woman in her late teens bathing in a river.
Then
Sam (Petersen), her pervert of a younger brother, sneaks up on her,
carefully
watching her as he steals her clothes. She is surprised by him all of a
sudden, and as she stands up out of the water, we see a flash of
her
breasts before she covers them up with her arms! And after she
yells
at him and threatens to tell their parents, she walks out of of the
river
naked. Though she is almost completely covered up by some branches in
front
of the camera, we do see a partial butt shot! Later in the movie, we
see
a few Native Americans portrayed as - gasp! - bad guys! There's one
scene
where there's a violent struggle between the heroes and them, and the
heroes
kill
them!
And most shocking of all, Native Americans are referred to as
Indians!
Boy, things have changed, haven't they? (Say, parents, why do you make
a fuss about stuff in modern family films while no one raised a fuss
about
material like this concerning G movies in the 70s?)
Back to the story. Seems Sam wasn't the only one who got
an eyeful of
his sister, but some passing natives from a faraway and hidden tribe.
(Why
these members of the tribe are so far away from their home is never
explained.)
Later, when Charlotte and Sam's parents have gone out, the natives make
a raid and kidnap Charlotte. Subsequent searches by their neighbors
fail
to find any trace of the natives, and Sam feels so guilty that he
wasn't
able to properly defend his sister, that he sneaks out of the house,
determined
to find her. He enlists the aid of a drunken prospector named Russian
(Boone)
that he met earlier to accompany him and be a translator, managing to
convince
him to come along by showing evidence that where the natives dwell,
there
is gold nearby. During their travels, they hear of a cryptic clue -
something
called "Crooked Sky" - and it is the challenge Sam finds himself facing
later.
Boone is the best thing about the movie, and alone makes
it worth watching.
He is an absolute joy to watch. With an old-timer beard, he kind of
reminds
the viewer of cowboy sidekicks like Gabby Hayes. But Boone takes his
character
much further. He is always growling, insulting, and criticizing Sam for
his ineptness, but the way he does all of this is never mean spirited -
there is always a twinkle in his booming voice. He is also very funny,
spouting off a lot of amusingly corny statements like, "I feel like the
inside of a sow's belly!" after a night of too much drink. Speaking of
drink, his drunken singing also provides a number of laughs. Boone
looks
so comfortable, so relaxed in the role, I could swear at times he was
ad-libbing
his dialogue. Whether that is true or not, he is funny all the same
when
he needs to be. Also, he is downright serious when the situation
provokes
him to be; in one scene his character becomes extremely upset, and
struggles
to hold back the tears, and it's a great performance.
In the previous Stewart Petersen movies I reviewed, I
criticized his
performance, pointing out how mushy his voice was, and acting like he
was
reading out of a script. I expected another bad performance here, but
he's
actually okay here. Not great, but he gives a tolerable performance
where
we can understand what he's saying. The Native American actors
generally
have no dialogue, speaking in their native tongue during the few times
they speak, but the casting department made up for this by casting
actors
who have real presence despite their silence. There's an old native
that
is mute yet captivates the screen with his sign language, and there is
a bald native later whose strange appearance keeps you looking. I kept
looking at all of them with intrigue, wondering what their characters
were
thinking. Another unit on the movie that deserves kudos are the people
who chose the locations. Some of the locations are absolutely
breathtaking,
and even the simpler locations (such as on and around the ranch) have a
pleasing look to them, all colorfully photographed.
The story is more leisurely paced, taking its time to
get going even
after Charlotte gets kidnapped. Even after Sam starts on his journey,
the
movie doesn't switch to a faster pace. The movie generally is never too
slow or too fast - it knows where it's going, and it's careful not to
miss
a step. Along the journey, there are many incidents that while maybe
not
action packed, are interesting all the same. The script boasts
some
positive themes, like love for your family, and never giving up. And
like
many other '70s independent family films, it has a subtle agenda to it,
such as with this scene near the beginning:
Charlotte: If a person's everything he should
be, he wouldn't
be thinking of himself first, even if if meant dying.
Sam: Where did you get that?
Charlotte: The Bible!
She then picks up a Bible, and reads from the scriptures
that there
is "no greater love than to die for a person". There are several other
instances where there are references to the Bible, or with people
praying
to God. Except for that somewhat heavy-handed beginning example, the
Christian
influences on the script are actually palatable here, because they are
given in a more casual, off-hand nature that doesn't try to preach to
the
audience. Also, the messages in these Christian bits are generally
those
I think even non-believers will agree with are good for children to be
told.
The last part of the movie - starting with Sam's attempt
to get through
"Crooked Sky" - are when things start to fall apart. In the last half
hour,
Boone almost disappears entirely from the movie, and his presence is
missed.
During the "Crooked Sky" challenge, Sam's subsequent "struggle" (it
isn't
as challenging as I would have liked it to be) includes some very nice
helicopter shots of him in action, though even before he started in
action,
I already knew what was going to happen at the end. That's because just
before he starts, the movie telegraphs the conclusion in such an
obvious
way. So instead of us getting a surprise ending, we already know the
ending,
and we have to wait for it. And there is another problem - after the
challenge
ends (and the bad guys disappear with no further explanation), we have
to wait a long time for this "surprise" to come. And when this
"surprise"
does come, it also comes with a number of questions that are not
explained,
so viewers will probably be a little frustrated as the credits roll by.
There's still enough in Against A Crooked Sky to
make
it worth a look, and I personally think it's a decent family movie to
show
to the kids. True, there is that nudity at the beginning, but I think
it's
time that society develops a more healthy attitude towards nudity, so I
wouldn't mind it if my kids saw that. Still, I can't help but think: A
G-rated Christian movie with breasts? Who'da ever thought that?
Check for availability on Amazon (VHS)
Check for availability on Amazon (DVD)
See also: Bad Company, The Rivals, Seven Alone
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