Watch Out, We're Mad
(1973)
Director:
Marcello
Fondato
Cast: Terence Hill, Bud Spencer, Donald Pleasence
There will always be some people, I guess, who will say
of the movies
that pair Terence Hill and Bud Spencer, "If you've seen one, you've
seen
them all." I don't consider the movies in this way at all, including Watch
Out, We're Mad. Yes, this entry of theirs has Hill playing a
happy-go-lucky
fellow who romances a woman at one point, and Spencer playing a surly
fellow
who just wants to be left alone. Yes, Hill here keeps pestering Spencer
until they team up together. And yes, there are slapstick fights along
the way against a particular gang, climaxing in a spectacular fight in
an notable area. But there are big differences - for one thing, this
movie
takes place in Spain, not Italy or America. And here they play race
car drivers instead of cops, cowboys, truckers, or drifters. Okay,
it really isn't that much different in spirit than their other films,
but
so what? The formula still works, and though it isn't one of their best
efforts, it was still nice seeing them do the same old things again.
Somewhere in Spain, off-road race car driver Ben
(Spencer) is anticipating
the next race he will be in, because of the prize - a red dune buggy
("With
a yellow top", as it's described many times in the movie) that's
hideously
tacky in a way that only the '70s could have manufactured it. However,
he does not count on "The Kid" (Hill) entering the competition, and he
also has a talent for the sport - and an eye on that same ugly dune
buggy.
We cut to the race, and each man battles furiously to the finish line.
But in a surprise, they both end up tying for first place, and they are
both awarded the dune buggy. Of course, sharing is out of the question,
so they soon get to a serious discussion as to how it should be decided
as to who gets the buggy. Cards, ace high? No, Ben isn't good at cards.
Arm wrestle? Just a look at Ben has The Kid turning down that idea. It
is soon decided that there is only one way two gentlemen can resolve
such
a pressing conflict - a hot dog and beer contest. ("You eat a hot dog,
then drink a beer, eat a hot dog, drink a beer..." helpfully explains
The
Kid.) It is agreed, so they go next door from Ben's garage to the
restaurant
in a fairground. In a way that I can't possibly describe with the
proper
justice, they start packing away hot dogs between mugs of beer, trying
to be subtle in both their gluttony and showing the other they are the
superior one, all without saying a word and being classy about their
business.
No wonder this scene has become legendary among Hill/Spencer fans.
Of course, it is hard for any refined gentleman to
engage in a hot dog
a beer contest when suddenly several well dressed goons enter the area
and immediately start to violently smash the furniture, windows, and
walls
all around them. Eventually, they break their silence and mutually
decide
to leave the establishment after the activity proves too distracting
(and
with the restaurant barely standing up), making a promise to continue
the
contest later. However, just a few minutes later, it seems that any
contest
would be pointless, for the goons wreck the red dune buggy (with the
yellow
top) racing away from the area. This seriously irks the two, so they
visit
the child-like mobster leader demanding a new red dune buggy (with a
yellow
top), warning him, "You've got until noon - or we'll get mad!"
The mobster leader is told "Neinneinnein!" by his
advisor, known as
"The Doctor" (Pleasence), who has a stake in the operation. In a thick
German accent, he keeps telling his boss, "Being evil is a virtue!" and
"You must be more wicked!", and advises his boss to send everyone from
a motorcycle gang to a Chicago hit man to stop the men. Though he
doesn't
know about the resourcefulness and quick wit of the duo. Those who have
thought Pleasence has overacted in movies before simply haven't seen
how
he acts here. During the course of the movie we see him throw his hands
to his face, pound the table, and lay on the thickness of his accent
with
a trowel. It makes his performance in House
Of Usher look remarkably restrained. Of course, it's a lot
of fun to watch, and so are the performances of our favorite duo.
Spencer
actually gets a bit more to do in this movie. There are times where his
character suddenly has a smile on his face, then quickly shakes it off,
not wanting anyone to see he's having fun. Also, we get to hear him (or
at least the well chosen dubbing voice) sing, when he practices
and participates in the choir he's in. Naturally, the songs that are
sung
just consist of "la"s, because of the international market), but that
in
itself is a hoot to hear, and the choir scene is another legendary
sequence,
where Spencer has to deal with his singing, the interference of Hill,
and
the Chicago hit man all at the same time.
Hill, on the other hand, overall doesn't stretch as much
here. He's
given yet another boring romantic subplot, here with a pretty tightrope
walker from the fairgrounds. Not only is it pretty drab, but it's
suddenly
forgotten after 2/3 or so of the movie have passed, and never brought
up
again. On the other hand, the movie gives him an excuse to show off his
acrobatic skills. The motorcycle chase sequence clearly shows it is
Hill,
and not a stuntman, doing some very risky moves on that motorbike. (The
scene also has him participating in a hilarious parody of The
Good
The Bad And The Ugly.) And there are the fight scenes. In one
scene
in a gymnasium (which happens to be on the fairgrounds - huh?), he and
Spencer beat the crap out of the mobsters there, and Hill does some
lightning-fast
maneuvers on gymnast bars that are quite a sight to see.
The fight scenes in this movie are some of the best
fights Hill and
Spencer have been in. They are not only funny, but directed with vigor
and speed, making each blow have us thinking "Wow!" and "Ow!" at the
same
time. There is a problem with the fights - there are not enough of
them.
If these fight scenes weren't as high quality as they are here, I would
have a serious problem with this movie. That is not to say they are
perfect
- the final punch-up, brutal and swift as it is, is somewhat spoiled by
the area being filled with an incredible number of multi-colored
balloons.
Not only are the colors a visual distraction, the balloons themselves
block
a lot of what's going on when they start getting thrown into the air.
It's
still a good fight, and what is really most impressive is the amount of
destruction the boys make before they engage in the final
punch-up.
Whenever there is an action scene - cars racing, fists
flying - director
Marcello Fondato really shines. The opening car race is incredible, with
a number of wrecked cars and various stunts coming one after another in
a rat-tat-tat manner. There are some "Huh?" scenes where cars are
suddenly
in different places because of sloppy editing. Also, I have to wonder
if
the movie was originally longer, because there are some things that
suddenly
happen that don't quite make sense, not just that romantic subplot that
abruptly ends. At one point, we all of a sudden see the boys dancing at
a club. And there is a strong indication in the beginning of the movie
that the boys know each other from the past, but this is never
explained.
This confusion, plus a more meandering and less action-filled script
makes
this not one of the best Terence Hill / Bud Spencer movies, but it does
have its moments of merit that make it worth watching, and even a
weaker
movie from this duo is a lot better than a lot of movies out there.
Check for availability on Amazon (DVD)
Check for availability of music from this and other Hill/Spencer movies
(CD)
See also: Crime Busters, Mr. Billion, Renegade
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