Cold Turkey
(1971)
Director: Norman
Lear
Cast: Dick Van Dyke, Bob Newhart, Pippa Scott
When you hear the name of Norman Lear, most likely you
will immediately think of the famous TV shows he's produced over the
year, big hits like All In The Family, Sanford And Son,
and Maude. Least likely what you'll think of are the motion
pictures he's produced during his career; oddly, despite a couple of
exceptions like The Princess Bride and Fried
Green Tomatoes, these movies that he produced remain more or
less "unknown" to this day. One of these movies is Cold Turkey.
Made in 1969, it gathered dust on the distributor's shelf for two years
before it was released - coincidently, around the time All In The
Family became an instant hit and it and Lear became a hot
Hollywood property.
Looking at the movie today, several
possibilities come up when wondering why the distributor had, well,
cold feet about this movie. Possibly it was because when the movie was
made, Van Dyke, who had been concentrating on movies during this period
of his career, was becoming box office poison. Another
reason might be for the movie's unconventional structure; Lear often
pushed for something different, and the way this movie unfolds is
certainly not in any manner most viewers will have long become
accustomed to. Most likely the reason why the movie remained unreleased
for so long was because the distributor was unsure on how to convince
an audience to see it. Though it's indeed a comedy,
Cold Turkey is so cynical and biting in its
portrayal of the kind of people you personally know - and probably you
yourself for that matter - it's easy to see the distributor shivering
with the thought of people being outraged of such a depiction of what
they held near and dear. Perhaps the movie was ahead of its time, and
enough time needed to pass before an appropriately cynical age - like
today - came along so that the movie could be more fairly judged.
Despite more than 30 years have passed after it was made, the movie
still has an undercurrent of near-nastiness that raises your eyebrow
slightly... though much of what gets portrayed in the movie has
actually come true to a certain degree, so your eyebrow will actually
have not moved that much. Though the movie is by no means perfect, you
can't deny that to a degree it proved to be very prophetic.
Around the time Cold Turkey was made,
some serious measures against the cigarette industry had already been
put into effect. Several years earlier, manufacturers had been forced
to put warning labels on cigarette packages, and more recently plans
for keeping cigarette advertising away from radio and television had
just started. So it's no wonder that when the movie begins, the Valiant
Tobacco company is experiencing internal chaos, knowing that
anti-smoking members of the government and the public will not let it
rest just there. But public relations man Merwin Wren (Newhart) comes
up with a great plan, inspired by that famous scientist Alfred Nobel.
Sure, Nobel came up with the deadly concoction of dynamite, but isn't
he now better known today for the money he set aside for all those
Nobel prizes? Wren suggests to Valiant president Hiram Grayson (Edward
Everett Horton) that they make a similar kind of gesture to show
everyone that Valiant Tobacco has the public's best interest at heart.
Namely, by making the claim that they are encouraging people not to
smoke, giving proof of this by offering $25 million to any town that
has all its citizens quit smoking for one month.
Of course, they don't really expect any town to
get every citizen to agree to these conditions, let alone manage to go
thirty days without a cigarette. As its pointed out, just getting
everyone in your typical office to quit smoking for thirty days would
be difficult enough. But Wren and Grayson haven't heard of Eagle Rock,
Iowa and its 4006 residents. Since the local military base closed down
in Eagle Rock, the town has been slowly
dying, and everyone from the mayor (Vincent Gardenia, Fire Sale) to Reverend Clayton Brooks
(Van Dyke), the community's religious leader, are desperately trying to
get the military to come back and bring industry - though ironically,
the military won't throw around money in Eagle Rock until the town goes
under serious renovations, which they don't have the money to do. So
when Brooks hears about the offer Valiant announces, he sees it as the
salvation he's been telling his parishioners has been on its way.
What's equally miraculous is that Brooks, along with the other town
councilmen and women, manage by hook and crook to sign every citizen up
just before the deadline - barely. Though even before the smoke-free
month begins, it's clear that a number of Eagle Rock residents are
going to have a difficult time. And even with that problem inevitably
coming up, the Valiant Tobacco people, after recovering from their
initial disbelief, are clearly not going to sit back with the knowledge
that there's even a Virginia-slim chance the Eagle Rock residents could
pull it off.
What is surprising to find in Cold Turkey is
how the tobacco industry ends up being portrayed. Certainly, it's not a
very flattering portrait. The executives at Valiant are shown to be
heartless money-loving sleazebags who consider the American public to
be made up of a bunch of rubes. But when you look at the citizens of
Eagle Rock - as well as the various outsiders who happen into the town
during the course of the movie - you have to wonder if those Valiant
executives have a point. Believe it or not, the movie is in no way
designed to contain any serious slam against the cigarette industry;
such bashing only takes a couple of minutes of the running time.
Instead, the movie turns out to be a savage look at every imaginable
all-American society outside of big business, revealing that even
what's considered to be spotless and dependable Mom & Apple Pie can
in fact be hiding a diseased core, or can be thoroughly twisted in the
worst way by just the right conditions. This includes sacred
institutions like the government and the church. When Eagle Rock's
struggle becomes national news, the army comes knocking again
suggesting a factory could be built there - though would the town be
open to the President dropping by for a televised appearance? Not that
long earlier, the church suddenly happened to be in the neighborhood,
telling the now-famous Reverend Brooks that they wanted him to accept a
high-profile post, which would give him that transfer he had asked for
earlier.
Though when Reverend Brooks had asked for that transfer
not long after the movie begun, it was right after he delivered a
sermon for the destitute townsfolk that told them that God was
"preparing" them for salvation, so they needed to hang on. When he
subsequently learned of the Valiant tobacco offer, he suddenly seemed
more than happy to stay - possibly because he was also
one of the members of the town council, and could help decide how and
where the money should be spent. Brooks is understandably so determined
to get everyone signed up that he'll not only end up threatening
someone with physical violence if they don't sign the pledge, he
convinces reluctant smokers who think he won't understand their pain by
purposely taking up smoking and getting addicted just before the pledge
starts. His actions aren't the only ones of the townspeople that
provide hilarity. The local John Birch-like society eagerly volunteers
to be search-and-seizure guards at the entrance of town ("Can we wear
armbands?"), a nicotine-withdrawn Jean Stapleton (All In The Family)
goes into an insane rant at the breakfast table when she's interrupted
while stuffing her face, and a dog gets kicked six feet into the air by
a frustrated passerby. When word starts to spread across the country
about Eagle Rock, it results in the townspeople getting into even more
funny experiences, from Zen Buddhists and a female "massage"
professional offering the citizens various methods to curb their
obsession with cigarettes. Later on, with the numerous television crews
hovering around and freely manipulating the eager-to-be-famous
residents, various consumer businesses figure out Eagle Rock will be
just as eager to make some extra money with advertising, which adds
even more funny situations.
There are plenty of crazy moments like these throughout Cold
Turkey that make the movie funny enough to make watching it
worthwhile. Yet at the same time, you'll get the feeling that the movie
is nowhere as funny as it could have been. Although the movie has what
seems to be a dream cast consisting of top comic talent, none of these
actors are at their prime here. Among the well-known cast members is
the famous duo of Bob (Elliott) & Ray (Goulding), each of whom
appears in multiple roles. But not only do these popular comedians
never appear together in any scene, none of their roles turn out to be
more than slightly amusing - ironic, because they are playing reporters
and television commentators, and you would think their particular style
of humor would be put into great effect here. Van Dyke manages to
deliver a few laughs with his performance, though often he doesn't seem
to be performing with the appropriate comic note. It doesn't seem to be
enough for him to come across as absurd by his character doing all
these crazy activities; he apparently thought that he had to act
absurd while doing these things. So whenever Van Dyke blusters in an
over-the-top manner, it seems unnatural and forced, and his comic
contribution is muted as a result of this. As for Newhart, his first
appearance is very promising, with his relishing the nastiness of his
character and providing some good laughs. Then all of a sudden, he
stops his snarling and retreats to his familiar and bland technique...
of... talking like... this.
That's not the only problem that I had with Newhart's
character. You would think Merwin Wren would be a frequently appearing
adversary for the Eagle Rock residents, but not long after Eagle Rock
starts its smoke-free month, he suddenly disappears and does
not reappear until near the end of the movie. Pippa Scott has another
similarly underused character as the Reverend's wife. She is seemingly
set up to sometime become a major player in the scheme, but she never
does. Until near the end of the movie she hardly says a word, and then
spouts an out-of-the-blue rant about Eagle Rock losing its soul.
Afterwards, she and her concerns are forgotten about and never brought
up again. Previously, there had been a scene of youths protesting about
the same thing, and they also ended up getting forgotten after their
scene ended. There are plenty of other things brought into the movie
that are forgotten about or are utterly wasted, such as when Wren ships
in a truckload of volunteer observers (who end up doing nothing.) It
shouldn't come as a surprise then that the ending is an utter mess,
using a cheap device to put the major players out of the way so that
the movie can bring up the resolution it decided on, though it in no
way fills the holes left by those major characters being denied a part
of it. With all these problems, it's a miracle that Cold Turkey still
can be considered a fairly funny movie - though barely. It succeeds,
but I could help but think it succeeds like a recovering nicotine
addict who got through the mighty struggle of his first week without
cigarettes.
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See also: Get Crazy, Preacherman, Rustlers'
Rhapsody
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