Lone Wolf And Cub:
Sword of Vengeance
(a.k.a. Sword
of Vengeance)
(1972)
Director: Kenji
Misumi
Cast: Tomisaburo Wakayama, Yunosuke Itoo, Fumio Watanabe
When you rent a samurai movie, what do you want? Do you
want wall-to-wall
sword fights and blood gushing like a geyser from gaping sword wounds?
Or would you prefer focus on medieval Japanese culture, character
development,
and an actual story?
To tell the truth, I would like an even compromise
between the two.
Regular readers of this web page will know that I find hard action and
violence, when well-done, entertaining. However, those same readers
will
know that I get annoyed by lame, unimaginative plots and uninteresting
characters. Lone Wolf and Cub is the movie that has more
emphasis on culture, character development, and story. It's cousin, Shogun
Assassin, is the movie with emphasis on action, blood, and
violence.
Here is the point of the review that I must temporarily stop discussion
of the movie to be reviewed, and give an explanation to the movie's
background
to those who are not familiar with the Lone Wolf and Cub movie
series.
From 1972 to 1974, six Lone Wolf and Cub
movies were made
in Japan, all based on the same Japanese comic book. The movies
centered
around Itto Ogami, a samurai executioner who worked for the Shogun. In
a bid for power, the evil Yagyu clan framed him for treason and
murdered
his wife. Swearing vengeance, he travels all over Japan as a
samurai-for-hire,
while trying to strike back against the Yagyu when he can. But he
travels
with his very young son Daiguro, who he pushes in front of him in a
special
baby carriage filled with various methods to dispatch his foes.
In 1981, some enterprising American distributors decided
to bring the
series to North America. Instead of showing one of the original films
dubbed
or subtitled, they decided to take the "best bits" from several of the
movies and edit them into a new movie called Shogun Assassin,
linking the segments together with the narration of Daiguro's thoughts
(which wasn't in the original films). The movie starts off mostly how
the
first Lone Wolf and Cub starts (though in a more compact
form), then goes from fight to fight, with no real plot linking all
these
incidents together. Still, the movie received some good reviews from
critics,
and I certainly enjoyed the movie greatly for the outrageous and
fantastic
action sequences. Though I enjoyed this version a lot, even I had to
admit
that the story was weak and there really wasn't an ending.
A lot of that is remedied in the first Lone Wolf
and Cub
movie, which is the movie reviewed here. The story has flashback
segments
which give a better explanation to why Itto became a renegade samurai,
and why he was framed. His relationship with his son is explored,
alternating
between using his son to make money and what I suppose passes for
"love"
between Itto and his son. And there is a plot mixed with the
explanation
of the characters and premise; in this entry, Itto is secretly hired by
a chamberlain to go to a small village of outcasts and eliminate
several
dangerous people.
I welcomed a lot of these elements in this movie that
were not in Shogun
Assassin; it was very interesting to see medieval Japanese
culture
from the elite to the peasants, showing aspects like women's roles and
treatment, outcasts, and internal conflicts. I should note that I have
a fair knowledge of Japanese history, so what I understood and enjoyed
may be different from someone with little to no knowledge of this time.
And even I admit that there was so much of this information, I got
confused
very quickly - it became difficult to know the difference between the
clans
and their objectives.
Also, the story took a long time to start, and then it
took its time
in getting there. Now I know this was the first movie, and they had to
set things up - that I can understand. However, there's no excuse for
making
the storyline slow, and frequently going off-path for a vignette. Not
that
the vignettes aren't interesting - one interesting vignette has Itto
renting
out his son Daiguro for a minute so that a grief-stricken woman who
lost
her baby can breast feed what she thinks is her baby. Itto sees it as a
way to feed his son. While occasional side trips like this can bring
insight
to the characters, too many of them simply take away from the story,
which
is equally important.
At least there are several fight scenes, when Itto takes
his sword or
some other weapon and creams all his opponents. Though there aren't as
many fight scenes as in Shogun Assassin, the fights here
are just as bloody as in that other film. Not only will viewers see
numerous
jets of blood spraying high in the air, but they'll see sights like
someone
getting their feet sliced off in one sword stroke, and the feet stay in
the same position when the unlucky guy lies next to them in agony.
So which is better: Lone Wolf And Cub: Sword Of
Vengeance or
Shogun
Assassin? The answer: neither. Each are good in their own way,
and each has flaws that the other movie doesn't have. The answer lies
in
both what your mood during rental is, and generally what your tastes in
movies lie in. Just don't rent one, and think that the other will be
similar
to it.
Check for availability on Amazon (VHS)
Check for availability on Amazon (DVD)
Check for availability on Amazon (Blu-Ray)
Check for availability of the original comic novel "Lone Wolf And Cub
1"
See also: Ulterior Motives,
Robotrix, Ninja
Champion
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