Salt In The Wound
(a.k.a. The Liberators)
(1969)
Director: Tonino Ricci
Cast: Klaus Kinski, George Hilton, Ray Saunders
A long time ago, when I reviewed the Italian war movie Inglorious Bastards, I discussed the
armed forces and what it would be like to me if I joined one of the
three main branches (army, air force, and navy) either as a volunteer
or if I was drafted. I came to the conclusion that I would be pretty
miserable in any of those branches, especially when considering the
shape of the Canadian armed forces.... Since I wrote that review, I
have done a lot of thinking about the possibility of finding myself in
the armed forces. Well, there's no way I would ever join the armed
forces as a volunteer. I think I'm too old, for one thing, and even if
I was younger I couldn't see myself volunteering for all that stress
and back-breaking work. But what about if I was drafted? Well, I would
first have to forget the obvious fact that Canada has no draft and it
wouldn't happen. But what if there was the threat of a draft? Well, if
there was, and there was a war brewing, I would prepare. Before getting
my draft notice, I would grab some books on wilderness survival, flee
into the woods, and poke my head out occasionally until I saw a signal
from my father (a ribbon tied around the old pine tree in his yard)
that meant the war was over. If the powers that be accused me of
evading the draft, I could say, "Hey, I was away when the draft notice
was sent - I never got it." But what if I was caught, processed, and
placed in the armed forces? Well, the answer seems pretty logical:
Deliberately flunk basic training. I don't think the powers that be
would want to put an incompetent solider in the field, one who could
screw things up for other soldiers.
I'm sure that the above confessions have offended some
of you. Some of you are probably saying right now, "Where's your sense
of duty? Where are your unselfish thoughts concerning your fellow man?"
Well, as I said in my review of Inglorious Bastards,
I've come to the conclusion that I would be a pretty lousy member of
the armed forces even if I worked my tail off to be the best that I
could be. So I would be doing the armed forces a favor. As for thinking
about my fellow man, I have done plenty of that during my life. Take
this web site, for one thing. I don't know if you know just how much
work it has made me do in order to inform my fellow man on good movies
to see and bad movies to avoid. I have to slog through watching more
bad movies than good, and when the movie being reviewed is bad, I have
to relive it when writing the review. If my telling you of that is not
enough, I will now tell you of other ways I am courageous in this
strict society of ours. For example, whenever I go to a restaurant and
service seems to be slow, I am not afraid to pound on my table with my
fist and yell for a waitress. And later, once I get the check from the
waitress, I defy the unwritten law and I don't leave a tip, no matter
how good the service might have been. Another way I defy unwritten laws
is whenever I take a bus. If I am sitting in a seat while an elderly
pregnant woman is uncomfortably standing next to me, I don't care what
anyone thinks about the fact that I don't give her my seat. And when I
go to a movie theater, and the crowd leaving the theater is slowly
walking out, I am not afraid to yell "fire!" in order to speed things
up. So you see, I am to be admired for my courage.
Probably by this point you have some idea of what the
movie being reviewed here, Salt In The Wound, concerns
itself about. It is a movie that concerns the military, in this case a
movie that takes place during World War Two. And it's also a movie that
in part deals with the subjects of doing your duty and also
the possibility of committing self-sacrifice for the welfare of others.
It's a movie that I have wanted to review for this web site for a long
time, but various obstacles got in the way. Let me explain. I first saw
this movie years ago when I was teaching English in Korea. My roommate
and I had a VCR, and while I was into movies from PM Entertainment and
various other exploitation movies, he was into movies concerning World
War Two. (He once rented Ilsa: She-Wolf Of The SS
without knowing anything about it, and I was amused by his reaction
when he watched it.) One day he rented Salt In The Wound
from its box art promising World War Two action. I sat down to watch it
with him, and I remember at the time we were very impressed with what
we saw. When I got back home, I tried to find the movie in video stores
here, but I could not find it. Eventually I forgot the title of the
movie, and it was only recently when I came across a review of the
North American DVD release of the movie that I knew the title again. I
wanted to see if the movie held up, so I ordered a DVD of the movie. As
I said, this is a World War two movie, taking place in Italy not long
after the Allied forces landed and started their campaign north. In the
opening scenes, we meet Corporal Brian Haskins (Kinski), who has been
condemned to death for killing a civilian. We also meet John Grayson
(Saunders), a black private who has also been given the death penalty
sentence for killing his commanding officer.
The assignment to carry out the executions is given to
Lieutenant Michael Sheppard (Hilton), a fresh-faced solider who's just
come from West Point. When he takes his soliders and the prisoners out
into the Italian countryside to carry out the sentences, they are
jumped by a German squad, who start to attack. In the battle, Haskins
and Grayson escape, followed closely by Sheppard. The three men quickly
make an unspoken agreement to stick together to escape from the German
threat... even though Haskins and Grayson have no desire to make their
way back to Allied command, while Sheppard is determined to bring the
two escaped prisoners back. None of them know that soon that their
secret desires will be put on hold due to unforseen circumstances... I
had remembered this basic plot from my first viewing of the movie years
earlier, but I had forgotten just about everything else except that I
enjoyed the movie. Did the movie hold up? Overall, yes, it did, though
I must admit that in this viewing I found some problems that I don't
think I had the first time I saw the movie. But first, I'll get into
some of the good things about the movie. I thought the actors that were
chosen for this movie were very well chosen. I know what you are
probably thinking - you are thinking, "Come on - the German Klaus
Kinski playing an American solidier?" In another movie, this might be
the source for a good deal of unintended laughs, but in this movie it
works. For starters, Kinski's voice is dubbed in this movie, so we
don't hear his real life thick German accent that might have ruined the
idea that his character is American.
Although Kinski is dubbed, he is still able to show the
inner workings of his character's mind by his facial expressions. His
character is slightly mad, and you probably know by now that few people
can show a twisted mind like Kinski did. When he bums a cigarette from
a solider holiding him captive, or later makes out with a woman who is
somewhat reluctant, you wonder if he's going to snap and break these
people's necks - these and other moments are tense. Saunders plays a
somewhat mad character as well, though less pronounced. His facial
expressions are often haunting, and suggest someone shell-shocked from
experiences in the past. Hilton shows panic and confusion on his face
on the battlefield, appropriate for someone who has not been in combat
before. So the acting is good, but what about the other parts of the
movie? I'll now move into the direction. This was the first directing
effort by director Tonino Ricci, better known for later hack efforts
such as A Man
Called Rage and Thor The Conqueror.
You may not be expecting much knowing those other movies and this being
his first directorial experience, but there's actually a lot to admire
about his direction here. He knows how to use the widescreen
photography to great effect, composing shots that fill up the screen
very well. The Italian locations are well chosen, looking unlike
locations I've seen in other Italian movies. They may not be
spectacular, but they feel real and unpretentious. Where he really
shines is in the action sequences. There is a feeling of true chaos and
not slick choreography in these scenes, especially in the climatic
scene when the trio turn into pure animals.
The screenplay (co-written by Ricci) has some engaging
touches to it as well. Kinski has a colorful conversation with a woman
late in the movie. Also, some people may consider the action the two
prisoners make at that climax as one of redemption for their sins.
Though when I thought about all of what happened before the climax, I
saw hints that maybe the two were still thinking of themselves and had
the mind to do other sins later on. It's interesting to think about.
But there are some other things about the screenplay that are, to put
it kindly, lacking. The movie gets to a bizarre start with a narrator
quoting from the Genesis portion of the Old Testament that seems to
have no practical purpose - it could have been easily eliminated with
no damage to the rest of the movie. Other flaws include one bit where
the trio, who have stayed in one location for several hours to hole up,
suddenly see in the near distance a large village. And there is the
question as to why Saunders' character, at the beginning of the movie,
is seen fighting with Caucasian soldiers when it's well known the
American armed forces were segregated during this war. (And speaking of
the American army, don't get me started on the fact that the uniforms
in this movie don't always seem to be accurate representations.)
Indeed, I could take some time pointing out flaws with the script and
other things about the movie. But the movie never makes one the biggest
mistakes a movie can make, and that's by being boring.
Even during its weaker moments, the movie still moves well and keeps
you
interested. And during its stronger moments, the movie without doubt
delivers the goods. I admit it made this pacifist movie reviewer want
to sign up and get to kill some bad guys.
Check for availability on Amazon (VHS)
Check
for availability on Amazon (DVD)
See also: Delta Force One,
Inglorious Bastards, The Mercenary
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