Fast Money
(1996)
Director: Alexander
Wright
Cast:
Yancy Butler, Matt McCoy, John Ashton
Frankly, I'm surprised that it took this long for a
movie like Fast
Money to get made. No, it has nothing to do with the plot, of
which
we have seen variations of before. It also has nothing to do with
unique
characters, or casting certain actors (or non-actors) in unique and/or
inspired roles. The notable factor it boasts comes from the fact that
its
a rip-off. Not a rip-off of a specific movie, or a specific genre. Fast
Money is the first movie I can think of that tries to emulate
the
look, tone, and style of action from a typical movie from PM
Entertainment.
Regular readers will know already that I consider PM Entertainment to
be
one of the best made-for-video moviemakers on the market today,
producing
movies that generally make a hell of an effort to squeeze in as much of
the goods in a movie as possible, in a well produced product. I feel if
you are going to rip off someone, you might as well rip off from the
best.
And this movie makes a considerable effort, sharing many of the
positive
qualities that the best PM movies boast. The movie does come up short,
even empty, in some areas, but it comes up with its own charms to make
the movie overall a pleasant viewing experience.
This is one of those movie that you enjoy and smile at,
despite any implausibilities. It's so eager to please, that I was happy
to see the PM
trademark of cars flying and twisting spectacularly through the air,
even
if it was obvious that the cars were really launched off ramps hidden
behind
the obstacles that the speeding cars "hit". And I didn't mind seeing
one
car being flung through the top half of a bus, which somehow ignites
the
bus in an explosion as if it was hit by napalm - it made for a great
looking
sequence. Goofy and hard to swallow, yes. But with attempts like this
to
satisfy the audience flung at us on a regular basis, the movie is
always
fun to watch. I wasn't bored for a second.
The beginning of the movie introduces us to Francesca
(Butler), a notorious
tough and high-class car thief who flies to Reno after the humiliation
she inflicts on the task force tracking her makes conditions just a bit
too hot for her in L.A. Along the way, circumstances find her linked up
with unassertive and recently widowed newspaper reporter Jack (McCoy),
assigned to Reno on a boring assignment. When Francesca can't resist
stealing
one more car (without the knowledge of Jack), they find themselves in
possession
of $2.7 million mob money, and the mob's counterfeit printing plates.
Of
course, the usual crew of mobsters and corrupt cops don't take kindly
for
this, and the chase soon begins.
The action scenes in this movie are overall decent
(mainly consisting
of the usual car crashes, splattery gun wounds, etc.), though usually
they
are a few notches below the average PM action sequence, and with a
softer
edge. Another problem hard-core action fans might have with the movie
is
that the number of action scenes here we have here are fewer than in
the
usual actioner, PM or not. Fast Money is different than
a
lot of actioners (including those from PM Entertainment) in that it
takes
not only the time to make believable and likable characters, but gives
these characters plenty of time that might usually be reserved for more
gratuitous action. True, there is a weakness in the Francesca
character,
in the fact that we never learn anything about her past, or really what
drives her obsession in car thievery, an occupation usually held by
men.
Despite this, her character is still quite interesting. Francesca has
been
written to show off her traits in a more subtle fashion than usual; we
see her effortlessly manipulating others, using words with great
effect,
and changing the subject with great ease when a situation is starting
to
get uncomfortable. The most interesting characters in movies are many
times
the most intelligent characters, and Francesca is a very smart woman.
It's
nice to see a strong woman in a role like this for a change, and it's
fun
seeing the sexes reversed. Which leads us to Jack, in the sidekick role
that's usually filled by a crying and helpless woman. Such characters
are
usually very annoying and not necessary for the story, though Jack is
written
more realistically. Though he is shy, and not as strong or intelligent
as Francesca, he's not a loser. His intelligence is average, his
decisions
reasonable, and he finds out he's not as helpless as he thought. His
evolving
actions as the movie goes on are believable as well.
Both Francesca and Jack are very likable characters, and
Butler and
McCoy give good and believable performances as the two leads. Best of
all,
they have chemistry together. I don't just mean the chemistry that
comes
in the inevitable love scenes (which manage to be steamy without really
showing anything), but the scenes outside the bedroom. Their
relationship
keeps jumping between hot and cold throughout the movie, though even
during
the cooler moments, you sense that they still have a good amount of
respect
and affection towards each other. And these changes in the temperature
are believable, because they come out of the reactions they have to
many
events they go through in the movie. Whether hot or cold, they have
many
sequences where they simply talk with each other, even getting a little
philosophical at times. Whatever the temperature between them is, it's
interesting and sometimes amusing to hear them talk to each other.
And speaking of amusing conversations, Fast Money
actually
gets more amusing as it goes along, and not just concerning this
dynamic
duo. There are a number of amusing details in the movie, such as the
Elvis
motel room, or a henchman of the villain who is a dead ringer for
Oddjob
from Goldfinger (complete with a bowler hat).
Unfortunately,
that bad guy hardly does a thing in this movie, getting blown away
later
in the movie with no effort at all. Throughout watching the movie, I
could
see a lot of potential that never got proper work, especially with the
final confrontation, which is resolved way too quickly, and
leaves
a few loose ends unresolved. It plays almost like the filmmakers were
running
out of money and/or time. But even with this weak ending and the other
notable flaws, I was glad to have rented this movie, to have been given
a chance to speed around with these characters.
Check for availability on Amazon (VHS)
See also: Executive Target,
Body Armor, The
Last Marshal
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