The Other
(1972)
Director: Robert
Mulligan
Cast: Uta Hagen,
Diana Muldaur, Chris & Martin Uduarnoky
It is difficult to talk about The Other without
revealing moments that are intended to surprise and throw twists upon
its
audience. I'm glad that I didn't look at any reviews for it before I
watched
it, because many of them reveal spoilers. Even the back of the video
box
reveals too much for its own good, so don't read it. What I can safely
tell you that this is a very well done - well, I'm not actually quite
sure
how to put it. Though it has horror and thriller elements, it's neither
a straight horror movie or a thriller. Perhaps the best way to describe
it is to call it a disturbing movie. That's because not only is the
movie
disturbing while you are watching it, it actually becomes more
disturbing
after you've finished watching it. After the end, you think about
everything
that happened during the movie, and now knowing everything, many scenes
now take on a deeper meaning and a new perspective. And we see
everything
that was happening was even more disturbing than we initially thought.
Set in 1935 on an farm deep in the countryside, the plot
focuses on the young identical twin brothers Niles and Holland. Despite
their identical looks, they are quite different in nature - Holland is
more extroverted, brazen, and coarse in his tongue while Niles is
quieter,
more thoughtful, and somewhat less brave. Yet despite this, they are
quite
close, possibly due to the recent death of their father, their grieving
mother seldom being able to leave their room, and their being lost in a
large household of other relatives. One relative, their grandmother Ada
(Uta Hagen), Niles is especially close to. She has taught him "The
Game".
It is not clear exactly what "The Game" is, but it seems to be some
kind
of psychic power that, among other things, allows the user to be able
to
see what is happening elsewhere at the same time. It is while playing
"The
Game" that Niles suddenly starts to see that various accidents
happening
in the area may not be accidents at all - and that his brother seems to
have some connection to each of these "accidents".
Actually, it goes much, much deeper than that. Though
I did more or less guess early on just what exactly was happening, I
dismissed
it not long afterwards because of some ingenious red herrings that are
thrown in, so I was very surprised when what I ruled out actually did
turn
up to be the explanation. It was confusing at first, but then we
shortly
afterwards get some further explanation (brought up very well without
stopping
the story for a typical long-winded summation) that answers the
lingering
questions we have. What is very surprising is that there is still a
good
part of the movie yet to run. It's here that the movie reveals it still
has some nasty surprises up its sleeves, by detailing just how deeply
the
implications of what we've learned actually are. There are no clues as
to what is going to happen now, so we sit transfixed, waiting to find
out.
While we're watching, the movie slowly reveals piece by piece just how
abnormal things are under the already uneasy surface. There's the
feeling
that soon the tension will break with a horrific climax, yet we keep
watching.
There are a number of scenes with a similar feel, where
everything starts off innocently, yet we know something something isn't
right, and something bad is going to happen. It's a world where things
just don't seem right, mostly with the feel, but also with little
details,
such as a character mentioning a 1944 movie despite it being 1935. The
opening shot slowly pans a wooded area, then slowly zooms into the
small
figure of Niles - we're shown the outside of this world, then slowly
brought
in. Though we see familiar things - houses, barns, fields, etc. - there
is an oddness to them, something seeming to be wrong though we can't
put
our finger on it. It's this unnatural feel that contributes greatly to
the feeling of uneasiness, a feeling of impending dread that we feel.
The
Jerry Goldsmith score is creepy by itself, but wisely used sparingly;
Robert
Mulligan obviously knew that when a character steps into a
spooky-looking
room, it's more scary when we don't hear anything.
Not only does Mulligan give great direction when it
comes
to evoking a haunting atmosphere, but he throws in some impressive
technical
aspects as well. The scene with Niles seeing the world from the view of
a flying crow really does seem to capture what it must be like. It's
also
impressive how from the start of the movie up to the first accident, he
creates a seamless feel from one shot to another, even though it's
obvious
more time has passed than what we get to see. He also gets great
performances
from his cast. Hagen is great as the grandmother, who is wise and has a
lot of love in her heart; she's the kind of grandmother everyone would
have loved to have had. Both of the Uduarnoky brothers also give very
convincing
performances, making their characters children instead of miniature
adults,
with both the innocence and impulsive crudeness children can have at
the
same time. Some people may think that with John Ritter and Victor
French
(Highway To Heaven) in the cast, there would be some camp
value, but both actors do a good job in their serious roles, though
they
don't get to do much.
There's not much more else I can say about this movie
without spoiling some of its surprises. It's a movie that I can't
properly
justify because of that - you'll just have to trust me. Walking into an
unfamiliar room is always more creepy than walking into one that's
familiar,
even if the lights are out. Among the little more I'll add is that this
is one movie that will really stay with you after you've seen it. It's
another of those movies where if you see it again, you'll see so many
things
in a different way that it almost becomes another movie. See it, think
about it, but don't think too hard - you might find what you conclude
just
too disturbing to dwell on.
Check for availability on Amazon (VHS)
Check for availability on Amazon (DVD)
Check for availability of soundtrack on Amazon (CD)
See also: Clownhouse, Daddy's Girl, Shadow
Dancing
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