The Noah
(1975)
Director: Daniel
Boura
Cast: Robert Strauss
When I was young, even back then I had an active brain
inside of my head. Whenever I had a free moment, I would take the
opportunity to think about things deeply and carefully. For example,
there were several times when I would wonder about the stuff I observed
in the television show Knight Rider. Why, for instance, did
KITT seem to have a new ability added to its already numerous abilities
each week? How was the organization that hosted KITT ("The Foundation
For Law And Government" I believe it was called) able to exist with a
total employment count that was even less than what you would consider
a skeleton crew? Why on earth, when half the time Michael Knight
pressed the "Turbo Boost" button on his dashboard, KITT would then
suddenly gain a great deal of speed, while the other half of the time
that same button was pressed, KITT would suddenly leap from the ground
into a great distance in the air? And during the "reunion" made-for-TV
movie that aired several years after the show was cancelled, why did
the production choose to humiliate KITT by installing his vital
microchips into a "classic" car? Were all the writers that created all
of the above stuff thinking that their audience was incredibly stupid?
That's what I eventually concluded after a great deal of thought, but
after coming up with that conclusion I did not dare speak it aloud to
any of my peers. In fact, there was a lot of other stuff that I felt
not wise to mention to anyone - opinions, observations, etc. That's
because a few times, when I did speak out loud what I was thinking, I
found out that my schoolmates simply didn't think on the same
wavelength.
As a result, I was considered a kind of oddball by
people my age all through school. For the most part, I simply didn't
get along with my peers. It made for some very lonely times in school,
that is, when they weren't giving me the kind of attention that would
be considered very negative in nature. And as a result of this, at a
young age I didn't have a very good opinion on mankind. What could you
think of a supposed advanced species of animal that would not accept a
viewpoint that was different, whether it was something insignificant or
something that could shake things up? It got to a point when I started
to wonder if having others around me was a good idea. I think I first
got the idea when my third grade teacher read us one of the books in The
Boxcar Children series (I think the book's title was The Yellow
House Mystery.) One of the characters in the book was a hermit -
the first time I had heard of a hermit and what kind of lifestyle they
lived. The idea intrigued me - a person who really got away from it
all, especially from nasty people. Soon I started to imagine myself in
an environment without any other people. First I started to imagine
myself in the wilderness like that hermit my teacher read to us. But it
didn't take too long to abandon thoughts on that kind of isolated life.
I would have to work my butt off to gather enough food each day so I
could live. There would be no electricity, so there would be no hot
water, no watching movies on TV. But most of all, even though I would
not miss people like the individuals who went to my school, there would
be a few individuals I would miss - my family. They always accepted me,
and I would miss their support.
Despite these obvious problems living a life completely
alone, there were still times I would try to escape the pressures of
life by imagining myself without people, though not in the wilderness
like a hermit. I started to imagine myself in a situation where mankind
had been wiped out except for myself. A world-wide plague was the
situation I thought of mostly. There would be plenty of canned and
dried food at supermarkets, which would solve the food problem. And I could find plenty of stuff to
entertain me - books, and electrical-powered items I could get a
generator for. But I think that even with all of those comforts, I
would have gone crazy after a time. Like it or not, I realized I needed
people - as a visible safety net if something should go wrong in my
life, but most of all bringing that kind of magic that human contact
brings. I started to think of all this again recently when I was
watching The Noah. I wondered that if I was in the
situation the title character was in, if my mind would go the way his
did. Let me set the scene: The movie begins on an ocean, and on it we
see a rubber raft floating on the waves. In the raft there is an
American soldier (Strauss, The Man With The Golden Arm).
It doesn't take him long to spot land, an island to be exact that has
the remains of a Chinese military outpost on it. The soldier makes
himself at home, and a good amount of time goes by, with no sense he'll
be rescued soon. One day, the soldier hears a voice coming out of
nowhere. The voice is friendly, and the soldier quickly befriends this
"invisible" companion, naming him "Friday". As the days go on, the
soldier has endless conversations with his new friend. Eventually, the
soldier soon finds he has another "invisible" companion, this new voice
being female. Everything seems fine... but the solider soon finds out
that his new society will not be without problems.
Unlike the majority of the movies I have reviewed on
this web site, The Noah is a movie that has some
messages buried in its narrative, messages about society, both modern
and traditional. One of the most obvious of these lessons is one that
has been expressed in a number of other movies, and that is warfare in
this day and age. To be more exact, nuclear warfare. The movie
illustrates that there will be no escape if this happens. You can get
far away, you can try to reorganize after it happens, but there will be
an inevitable, deadly end to everyone. When the movie's story starts
after the opening credits, a nuclear war has already happened and
Strauss' solder character (from the limited evidence given in this
first part of the movie) is apparently the last person on earth. Nobody
will win a nuclear war. This message is a pretty obvious and well-known
one after years of nuclear war depicted on TV and in movies, but The
Noah goes further, and goes to explain why a nuclear war may
happen, and also why it may be inevitable that such a war will happen
and completely wipe out mankind. This is because, as the movie
illustrates, human beings are flawed, and because of this bad decisions
and the need to fulfill various human desires (many of them being
darker in nature according to the society we currently live in) are
bound to happen even if there is a great effort to enforce goodness in
a society. The movie tells us that this has always happened,
reminding us of this from the very beginning by scrolling on the screen
selected Bible passages from the Noah story in the Bible's Genesis
chapter (human beings had become wicked, despite being God's creation,
and God decided to destroy mankind.)
Much of The Noah is fascinating because
of its illustrations of how mankind is flawed, how it can be corrupted,
and the consequences. Strauss' character has clearly lost a few
marbles; his making of imaginary companions to conquer his isolation
goes much farther than what Tom Hanks did in Castaway
(reportedly - I already mentioned in an earlier review that I can't
stand Tom Hanks.) He creates in his mind characters with their own
personalities that eventually break from his hold and rebel from what
he considers to be sacred rules. These characters become real -
we see they have their own desires, and we see how Noah's efforts (or
anyone else's) to make a utopian society is doomed from the start.
Besides its showing the effects of the dark side of mankind, there are
other things to admire about the movie. The first of these things is
evident right from the start - the movie is shot in black and white.
Trying to depict the end of the world on a tropical island in full
blazing color would have been, in my opinion, a disastrous decision.
Many of the most effective end-of-the-world movies I have seen (Five,
On The Beach, The World, The Flesh,
And The Devil) were shot in black and white, and this lack of
color gave these films (and this one) an appropriately bleak look.
Shooting in black and white may have been a budgetary issue, but I'm
glad it was shot this way. Speaking of the budget, it may have been
low, but there is no apparent sign of cost-cutting anywhere else in the
movie. The abandoned and rotting Chinese outpost is surprisingly
detailed, from the rusting wrecks of trucks outside to the Chinese
language propaganda posters plastered inside the buildings.
There's a lot to admire about The Noah -
I don't think I've already said that this end-of-the-world vision can
be considered an original one. But despite all the things I liked about
it, at the same time I know I must point out several problems I had
with the movie. Some of these are minor nitpicks, such as how it is
never explained just how the soldier gets his hands on English-language
books several times, or why he is shown to have a bag of golf clubs in
his rubber raft at the beginning of the movie. There are also a few
technical goofs as well, most of them consisting of abrupt editing, but
also including a very embarrassing moment when the soldier is speaking
at length and the audio clearly is not matching his lips. But the main
problem I had with the movie was that, at one hundred and seven
minutes, it was too long. There are a number of times in the movie
where nothing new happens for long stretches of time, having stuff like
the soldier having endless conversations with his imaginary companions.
Even worse is the section late in the movie during the nighttime
tropical storm, where the soldier wanders around while vintage radio
broadcasts (not all of them in English) play on the soundtrack. This
sequence goes on forever, when all that it accomplishes could
have simply been edited down to run less than a minute. If the movie
was edited down considerably, it would work a lot better, even if the
editing made the movie run less than an hour. That's because the idea
for this movie feels more like one for a short, not a feature-length
movie. Although I didn't use it while watching The Noah,
I could see how the fast-forward button on your DVD remote could
significantly improve parts of your viewing experience of this movie.
Check for availability on Amazon (DVD)
See also: Idaho Transfer,
Survivor, World
Without End
|